D Double E drops the rather trippy visuals to Percy taken off the Newham Generals 5 Star General EP.
A pixie's everyday writing adventures
D Double E drops the rather trippy visuals to Percy taken off the Newham Generals 5 Star General EP.
Blizzard announced news that his 7 track EP will be released in January 2014, with the Manchester artist dropping the first track to be heard from it Testing The Water, also the title of the EP. Blizzard really opens up on this track and tells us what he’s thinking in this deep track.
Round The Clock is P Money’s latest EP for Rinse, finds the London MC on characteristically firey and in-your-face form, exploring all sides of his approach across four tracks – from grime to hip-hop and sub-driven trap-styled beats.
Title track Round The Clock is a thrilling, metal-plated hip-hop beat produced by Loadstar, pairing P’s warnings of “If you want it you can get it / But be careful when you get it” with brittle-edged percussion and kickdrums EQ’d to rattle the ribcage. It finds him on seemingly effortless form, his words wrapping themselves around the rhythms in a way that feels as natural as breathing.
Lunar C is well known for his battling days with the coveted Don’t Flop where although he only did 6 battles he won all of them leaving undefeated. Following on from the release of his 2012 mixtape ‘SewerSideSex’, he is back to show a more deep and personal side to him with his new EP ‘Good Times and Dead Brain Cells’.
You are due to release your EP ‘Good Times and Dead Brain Cells’ in a few weeks. Tell us how you have far you have come from the 2012 release of ‘Sewer Side Sex’ and how this shows your development as an artist.
It’s come a long way, there’s a lot more deep, personal stuff on there. I just think overall it’s a lot more better, a lot more personal, the things I talk about and the subjects I touch on and the concepts. There’s a good mix of stuff, I reckon it’s an all round improvement on my other material.
Can you go into more detail the personal subject matters you talk about?
There’s a track called ‘Good Times and Dead Brain Cells’ it’s a loose concept about life and embodies what I mean when I say good times and dead brain cells. It explains what the concept is talking about; you kind of have to listen to it to know what I mean. There’s another one on there called ‘Contradict’ which is about how I contradict myself a lot, and how I look at things differently when I’m in different moods. It shows how I’m a bit egotistical and self depreciative at the same time, all the things about my personality that contradict each other.
Do you find it hard delving into your personal life and exposing yourself?
It’s new to me I’ve never really done that, especially with battles and stuff I usually keep things like that close to my chest so I don’t give anyone any ammo. It’s not the most natural thing to me in the world but I definitely enjoy it.
Your working with a lot of really strong upcoming artists such as Mic Righteous and Scrufizzer, what other collaborations can we see on the EP?
There’s not a lot of MC’s on the EP. I got them two on the track because they’re my favourite two new UK rappers at the moment. Other than that I’ve just got Orifice Vulgatron from Foreign Beggars who I’ve been a fan of since I was young with Pete Cannon and Wizard on production.
Was there any decision to not choose more established artists?
I did try and get one other artist on there who is kind of big but the collab didn’t happen, so I’m not going to lie and say I purposely didn’t try and get big artists on there. It was never the intention to have big names on it in the first place. It’s more about who sounds good on the track.
Not many names come to mind when I think of MCs from Bradford. Has your initial success inspired more of a scene in Yorkshire, and is there anyone from your neck of the woods you think we should look out for?
There’s kind of a movement going on up north in West Yorkshire everyone called it WY, they have t-shirts like the Yankees one but instead of NY it’s WY, a lot of people are pushing that. There’s quite a few artists doing their thing like Chief Wiggs, Minus, people in my crew Fly Tippers. DS Fam who have been doing there things for a long time. Craze Nott have got a new project coming out which should be amazing. Everybody also look out for Jack Flash he’s going to be doing some massive stuff soon.
A lot of rappers in the battling scene stay there and don’t really make ‘tracks’. Did you always know that you weren’t going to stay on that scene forever?
It was always the plan, I did music before battling so it was always just a thing where it was just to get me some hype for my music. I was always aware of the fact that battlers always get caught in the loop of just having to battle until they fall off and they become irrelevant and never really do anything with the hype that they have gained. I always wanted to do what Eminem and Professor Green have done; they actually used the hype for their music and actually got somewhere. They didn’t get eaten up by the battle scene and that’s what I aimed for.
That’s what propelled you into the limelight and got you recognition so will you ever return?
I don’t think I will ever return I’m grateful for what it’s done, but I always saw it for what it was. Myself and the people that run it Eurgh, we always had a clear understanding of why I was there, I was always there to promote my music. Admittedly I only wanted to do one battle but I ended up doing 6 because there was a demand for it..
You said this statement on Twitter “I can’t lie theres MC’s I rate but cant listen to coz I think they are a b*****d”. Is there anyone in particular this applies to for you especially in the UK. Don’t you think there music is more important then their personality or do you think artists have to have image, personality and music?
Yes but I don’t want to say there name and give them promo because there a b*****d. I think people took what I said on Twitter a bit too personal. I don’t have to personally no or like someone to rate their music, that’s not what I was saying at all. I just think there are some artists who have a really s**t attitude towards what they are doing, and when that shines through in your music and your actually talking with that perspective in your music it just ruins it for me. Dudes who are clearly from a rough place who have been doing grime music and rapping about guns and knives for years but now there an established artist, they don’t need to still be proving that that’s who they are. It’s not positive for anyone, there’s a time and place to talk about violent stuff, I’m all for that I do it myself, if deep down that’s all your trying to promote and prove to people your some road guy, it’s a s**t attitude to have, that just makes me hate some artists.
You’ve always come out with some quite funny stuff on Twitter, does this ever get you hate, what kind of reaction do you get?
I think most people no I don’t take myself too seriously and I’m winding people up. Some people do take what I say seriously though. I said something like “real rappers take heroin” and I’ve been getting questions about whether I take heroin. I put the worst things up sometimes just to make people talk and it works. Real rappers don’t take heroin by the way!
Apart from yourself who in the UK hip hop/rap scene do you think deserves to blow and why?
Jack Flash he’s been doing a lot of stuff that people aren’t taking notice of, but I think soon they will. Mic Righteous, Scrufizzer. I rate Remus he’s Farma G’s son, Chester P’s nephew, there UK hip hop legends. Now he’s a bit older he’s doing his own thing, I reckon he will be one of the sickest artists. I’ve done a track with Remus and the Rascals on their EP so look out for that.
The unforgettable vocals of Gemma Fox are back on brand new single Sunshine. The lead track Sunshine from the forthcoming ‘Awake’ E.P release, reworks the Dance classic ‘I Need Your Loving’ by Baby D (or originally Korgis ‘Everybody’s Got To Learn Sometime), and is brought bang up to date with the production care of Dexplicit and the distinctive haunting melodic vocal courtesy of Gemma.
This is another video to be released from Sneakbo’s Certified EP. Trust Nobody really for me shows Sneakbo at his finest as he spits some honest bars proving why he is one of the UK’s top calibre rappers.
Resolution is a true masterpiece of music centered around a backbone of R&B which has been synonymous with the US for decades.
Attempting to break that trend and putting his own unique spin on fusing a multitude of genres and sounds from Pop to Dubstep, R&B to Hip-Hop, Seyi hones in on his influences of Usher, Dru Hill, Michael Jackson, Stevie Wonder and Luther Vandross and his background as a gospel artist, to produce an EP which could happily sit alongside both the US R&B heavyweights and the UK Pop superstars of today.
Not only is his voice alone something worthy to pay attention to, his ability to story tell is captivating, exemplified in ‘She will Never Know’ and mastering an immaculate example of word play in ‘Instrumental’.
Scumbag is Shystie‘s second official release from the Pink Mist E.P. Scumbag was premiered live at her mixtape launch last Thursday. The track is an emotionally charged reminder to the men out there who are unfaithful to think twice, especially when it concerns Shystie!
Starting off with a strong foundation in hip-hop production, and since moving onto garage, bassline and grime, Dexplict has become a highly respected producer and DJ. He was behind the hit record ‘Pow’ in 2004, a track that despite being banned from the radio and clubs, is now still widely played in both. Whilst his focus at the present is primarily in grime and baseline, he is still bringing his hip-hop and bashment influences to his production, creating a unique and highly recognisable sound and making his music stand out strongly.
“I’d say grime is my favourite. Grime is a bigger scene than the bassline scene. It’s stronger than ever right now I’d say. We’ve got so many people that shout
out grime now. It’s changed the position of everything. I think back in the day there were no millionaire MC’s the scene had a different vibe to it. It was more like a grime scene, not a grime genre”.
Dexplicit is about to do something very different with his next project ‘The Dex Files’. He will be releasing 12 instrumental EP’s over the space of 12 months, with the first released on February 28th.
“This project is to create a new way to release music, as opposed to having one release and putting it out like most people do. Trying to create a different way of doing things. The essence of it is just more interaction with the people that’s actually buying it”.
‘The Dex Files’ is not just a straight forward instrumental release, as Dexplicit has put a twist on it to make it more interesting, allowing his fans to interact with the project, “My whole aim is to try and get the people who support my music to feel like they are part of the releases. When the songs come out with the artists on I want them to feel like it was their choice, they created the release”.
After each EP is released, fans are then invited to vote on what instrumental they want off of it to be vocalled by an MC, by going on the thread on Grime Forum or tweeting #ThatBassLife, “I can see what people actually like, because their picking the tune that they like the most, the one they want to hear vocalled. I’ll have my favourite MC’s”. The track that was voted for and vocalled will then be released as a single along with the next EP, “It’s also about what tunes people like the most on each EP, it’s market research at the same time”. The roster he has is top secret right now, but I think we’ll be in for a few nice surprises.
As a sampler of kind of what to expect Dexplicit has put out a remixed version of Tulisa’s ‘Live It Up’ featuring Big H. He explains the method behind this free download, “That’s not really an example. I did that remix for Tulisa already. H’s studio is around the corner from my house, so he’s local to me and he’s a great MC. That was the only thought process behind getting him on the tune. The rest will be different because I picked this tune”.
http://www.youtube.com/watch?v=kuDSfTle_6M
To celebrate the release of the ‘The Dex Files’ a competition will be running where one aspiring MC will win 6 hours studio time with Dexplicit and a studio engineer. To enter the MC’s must spit at least 64 bars over a Dexplicit instrumental past or present, with Dex himself choosing the winner.
“If I pick them that means I really like them. I’m a guy that’s very not so much about names; I’m more about skills. I’m about up and comers; they’re the future really. I would have picked them because there heavy so I will do stuff with them. I deal with up and coming MC’s and producers now. I do tutoring in my studio for up and coming producers regularly”.
When talking about the musical influences other than grime that we will be hearing in the instrumentals he says, “There will be a few. Grime is the ethos of the EP but there are influences from dubstep, hip-hop, raga, garage, you’ll know what I’m talking about when they come out. I’m releasing so many, so I’m trying to be experimental to keep them different. There will be lots of different influences even changes in tempo”.
To find out more information about the releases and competition click here

It has been over a decade since the crew first launched in the early 2000’s and last Thursday saw them reunite for the So Solid Crew Reunion Tour. The tour sold out and this was no surprise as the crew were instrumental in the development of the UK music scene. In particular, ’21 Seconds’ went straight to No.1, proving that this type of ‘urban’ music could reach commercial success and is still a well-known song in pop culture…
Ms Dynamite joined the crew for track ‘Envy’ getting the audience hyped to see the female MC joining the crew. Chip also joined them on stage and you could tell he was excited to be on stage with the crew who inspired him. Skepta unfortunately was meant to be performing with Megaman on ‘We Begin Things’ but police would not allow him into the venue.
Godfather of grime Wiley leaked what is set to be his last album ‘The Ascent’ nearly two weeks before its release date. His decision to do it was due to iTunes not letting him change something on the album and communication problems with his management. Let’s hope his album sales still rocket as he deserves it.
Known for his hot freestyles and well-respected tracks, and with a constantly growing street buzz, Nines has always supported and represented his NW home of Church Road to the fullest. Unfortunately he is now reportedly in prison at Wormwood Scrubs for reasons unknown and unconfirmed at present. He tweeted “If it’s peak for me @ court make sure you give my new mixtape 2 skinny black and dem n***rs make sure I hear dat on da yard.” Let’s hope he’s out soon and we hear it too.
One of UK raps respected Fekky joined Charlie Sloth for Fire In The Booth, proving why he has earned this status and it’s not going anywhere. He lays down hard, truthful bars lighting up the booth.
Pound Sterling dropped his ‘Last Man Standing’ mixtape which sees a solid 19 tracks and contains some strong features from Skepta, Fekky and Jaja Soze. The tape shows his elevation and progress as an artist keeping the real, authentic rap there.
G FrSH released another video to a track off his forthcoming ‘Legoman 2’ mixtape. This time we see Sincere and Fekky join him for ‘18k’ with all of them dropping some big heavy-duty bars.
South London’s Political Peak has been on his grind, releasing quite a few videos recently. We saw him refix Drake’s ‘Started From The Bottom’ over a week ago. A day later and wasting no time he dropped motivational track ‘Get Money, F**k B***hes’ which saw another STR88CASH representative Kerz join him.
Meanwhile, Sho Shallow and Ard Adz have released the G.H.E.T.T.O EP – you can get the 13-track offering on iTunes now.