Posts tagged ‘Ghetts’

April 25, 2012

Lioness Is The Next King Of The Jungle

Izabelle Fender aka Lioness is the British grime artist hailing from South London. Her skills as a lyricist match up to many male MC’s in the UK, which gives her the title as one of the top MC’s, not just one of the best female’s in the game. Spitting from the age of 14, Lioness soon joined her family members in Mastermind Trooperz. From Loch Ness Monster to Roarness, Lioness is ready to show she is King Of The Jungle.

Can you remember the first tune you ever MC’d to?
Yes I can, it was with these boys and it was called ‘Storm’ I think, it was on Channel U. Embarrassing times (laughs), I was young and at the time I thought the bar was good. When I look back now it was like oh my God, what were you saying (laughs).

You took time out of your music to focus on education for a while; did it feel weird not doing music for that period of time?
It did, I would always do music, but I would always be sidetracked and not doing it fully. For me music’s a hobby and me getting my thoughts and feelings off of me and onto paper. So I’d do that when I was stressed or whatever, but in terms of taking music seriously I couldn’t because of school, A Levels and uni. Now I’m doing it full time. I went to uni and in lectures I just wasn’t paying attention, and I was writing bars. I just thought do you know what if I’m going to be here and paying for this, let me take it seriously or let me just go.

Did you feel that by having an education it would make you a better MC?
No not necessarily not at all. I know some people that haven’t been to uni, or got kicked out of school, but they still do music. If you can read that’s it, you don’t have to go uni to be able to read. To be honest I don’t read, I do feel a little bit thick now (laughs) considering I don’t go to uni anymore and I don’t read that much. No you don’t need education to be able to do music.

When you started out you were quite young, did you feel ever that people weren’t taking you seriously being a female?
Yes I did. They would just be like what is she doing here, or why is this girl here, then I’d go to the mic and they would be like alright cool, but still why is she here. They would never be like ahh she’s actually good. One time when I went pirate radio, and a lot of the girls back in the day just used to go with the boys, and they would be like hoes or whatever. That’s probably what they thought about me, she’s probably one of them type of girls. Then when I went up to the mic they were probably thinking, why this girl so inna, like whys she near us taking the mic? They didn’t want to just be like ah she’s good.

What’s the best advice you would give to a young female MC?
I feel like we’ve paved the way. So for any up and coming female it’s alright, you’ll be able to do your thing. No one is going to tell you to get back in the kitchen because it’s accepted now. Just keep going and don’t listen to people, just ignore it.

There are many female artists that do well in the US, but often sexualise themselves and their lyrics. How do you feel about this?
Maybe that’s what they feel they have to do in order to get recognised. It is true sex does sell, but for me the reason why I do music is because I just want to get stuff off my chest. If you happen to like what I’m saying whoop de doo for me init. If you don’t there are other girls you can go listen to, that fine. I don’t think anyone needs to do it, but if you want to and you think that’s going to get you further then that’s your prerogative. I’m feminine and wear heels and stuff, people say it’s nice that I wear heels and be a girl but really you’re an MC. In the UK a lot of us are tomboys.

Yourself Lady Leshurr and A.Dot make up 367. Are there plans for an EP?
All we need to do is sit down for a day and the EP will get done, because it’s so fun the environment being around them. It’s like ‘listen to this instrumental,’ or we could do this or this, its just fun, so we just literally need a day. It definitely will happen. We all got our tops ready for the launch. We just need to find time in all our schedules to just make it work. When we do it will be big.

Are there any plans to go more mainstream with your music, and how do you think you would make the transition?
There are plans; obviously that’s what I want to do. I’m not prepared to alter the way that I am at all, so I’m just waiting for a sound that’s still me, but I can pass over. I don’t know what that sound is yet, so I just need to find myself in that respect. Once I do that, I think I’ll start doing full on singles etc., but I don’t want to put out a single that I’m not 100% happy with.

What do you think about the current state of the grime scene at the moment? Do you think it’s in a healthy position?
I think it’s very healthy. I think everyone is still doing grime, but they’ve done there on spin on it. I think I still do grime, but it’s my take on it. I think a lot of people do that. Everyone says grimes dead grimes dead, but it’s not its just really evolved. What grime used to be is pirate radio vibe and anger, clashes, because that’s all it was about, but now we can see it can go much further. People just want to stick to how things used to be that’s why they said its dead, but its not dead, its healthy.

Do you think anything needs to be done?
No I don’t think anything needs to be done. I know a lot of people are trying to bring clashing back, because obviously LOTM3 has come out. I don’t see the point in clashing for fun; I don’t think that’s fun. I remember when I was young and I used to clash, it wasn’t fun, it was a real problem. For the person that I am if someone’s done something to me, I’m not going to want to write a song about it, I’m going to want to say ‘why did you do that for are you mad?’ Everyone still needs to be making tunes, and working together and bringing the UK back up there. The US can keep their tunes now to be honest, the UK were doing our thing at the moment.

Apart from London, where do you feel is the strongest city for grime right now?
Birmingham most defiantly. I rate everyone. I fully rate Trilla because I feel like he brought Birmingham completely on the map. I think Leshurr came and cemented it, and I think them two really paved the way for Birmingham. C4 I love him, all the Stayfresh love Stayfresh. There are a lot of producers up there like TRC, TC4, and Bassboy. Big up the Midlands gang!

In terms of the future, what do you think the next step is for you?
EP, iTunes, I haven’t had a CD on iTunes. I’ve been doing music for 8 years, I’ve only had 2 CD’s, and so my third CD is going to be the EP King Of The Jungle, April 18th on iTunes. Hopefully there will be some singles from there. Everyone says you should call your CD Queen Of The Jungle, and I think that’s so obvious for 1, 2 why Queen? So I’ve decided to be King Of The Jungle. All lions do is eat, sleep and beat, those three things that’s all they do, and the lioness does everything else. I feel like lioness might as well take the title, and I feel like in music you don’t need to say female MC’s, were all MC’s I’m on the level as a lot of the men out there.
There are collaborations with Ghetts, Mercston, AL, I really want to get Ms. Dynamite, probably Leshurr and A.Dot too. I want to try and put some people I haven’t worked with on there, there’s a singer called Baby Sol, I really like her.

March 20, 2012

Wizzy Wow – Hard Worker FT: Wretch 32, Mercston, Scorcher, Ghetts

Wizzy Wow releases a new track Hard Worker, featuring a good line up of UK artists Wretch 32, Mercston, Scorcher and Ghetts.

March 5, 2012

Teddy Music – Hoods Up Ft. Ruff Sqwad, Ghetts, Roachee & Stutta

After the success of Doomed with the Newham Generals, Teddy releases the video for new single Hoods Up, featuring some of the UK’s finest grime MC’s. The chorus includes a looped vocal sample of Lil’ Jon.

Hoods Up is out 15th April 2012.

Check out my interview with Ghetts here

February 14, 2012

Ghetts – Back To The Future

Grime go-getter Ghetts has been causing trouble on the scene since 2000 & Life was released all the way back in 2005, when he was known as Ghetto. The ex-NASTY Crew member is not afraid of dropping a real freestyle – he has an impressive number of quick witted winning clashes under his belt as he does tunes; humorously intelligent as he is hyper. The BET-nominated artist has been collaborating with artists like Cher Lloyd and his forthcoming album Hurricane Ghetts is out soon.

The MC reminisces with Flavour about favourite past times and the not so memorable…

Favourite Childhood memory?

Lion King is one of them defiantly. Going on outings with my parents, sick memories from then. My dad teaching me to ride a bike, that’s an important memory, you have to pass down.

Favourite food when you were a child?

Rusk biscuits

Favourite book?

I had a favourite book as a child. What was it called, my man…was it the Mad Hatter? Dr Seuss!

If you could take something from the past and bring it to the future what would that be?

My friends that are gone.

Favourite old skool album?

2000 and Life, made by some artist called Ghetto he’s sick still. You should check him out.

Favourite old skool tune?

(Starts singing) ‘Never Let You Go’ Tina Moore

What item would you take from the past and bring it to the future?

Do you remember those things when we were kids, and you used to press them, and they used to say swear words like f*** off and all of that? That voice box thing, like a toy with Tourette’s.

When was your first kiss?

(someone shouts when he was two). I slobbered something down early, like nursery times.  How old were we in nursery? Cos I had a ting I nursery and I still know her now.

Most embarrassing moment?

I ran into a goal post

Favourite lesson at school?

Religious education

Worst telling off?

We never got told off, we got beat up. We got f***** up. The worst one can’t go on record, my mum will get arrested. We had bad ones, I deserved them all though.

February 9, 2012

Byron – Don’t Judge A Book

Byron releases the video Dont Judge A Book from his free EP Deep Lyrics/Dirty Beats part 2, which sees the raw but intelligent rapper deliver a song about everyday life and the issues he sees in his surroundings. His mixtape Jack Of None features Ghetts, Emeli Sande and Nine High. Byron is definitely one to watch out for.

Download Deep Lyrics/Dirty Beats part 2 here

Download Jack Of None on iTunes here 

January 24, 2012

MTV Best Of The Best: UK MCs 2011

The 10-6 best UK MC’s were announced a few days ago for 2011. Last night on MTV Base the last 5 were revealed by Joseph JP Patterson, Charlie Sloth, Posty, Morgan Keyz, Nardene Scott and Hyper Frank. Here is the full list…

10. DVS & Blade
9. Krept & Konan
8. Skepta
7. Lowkey
6. Ghetts
5. Giggs
4. Chip (Chipmunk)
3. Professor Green
2. K. Koke                                                                                                                                       1.Wretch 32

Well done to Wretch who fully deserves the No.1 spot, and K Koke who is one of my favourite artists who made the No.2 spot. The other 8 were also well deserved and all of them have worked incredibly hard. In my opinion I would have put Joe Black, Mic Righteous, Benny Banks and P Money in there, but this is always a hard one to think of only ten top MC’s so big up to the panel for making the hard decisions.

What do you think of the list, and was there anyone crucial you think was missing?

January 19, 2012

Eskimo Dance Returns 11th May 2012

If you missed Eskimo Dance last Saturday 14th January you definitely did miss out. BBK, Roll Deep, OG’z, Ghetts, Merky Ace, Kozzie, Flirta D, and Rival all smashed up the dance with DJ’s Cheeky, JJ, Maximum, Slimzee, Spyro and Hatcha. Wiley and DJ Cheeky tweeted today that it will make a return to Proud 2 on 11th May, so put the date in your diary now!

Wiley tweeted today, “The next eskimo dance is may 11th dont forget ….”

Cheeky confirmed the venue would be Proud 2 tweeting, ” Eskimo Dance May 11th Proud2.”

January 18, 2012

I Luv Live – Not 4 The A List Special ft Kano, Mikey J & Ghetts

I Luv Live kicked off again this year with a special show presenting Mikey J and Kano’s recently released EP Not 4 The A List. Known for attracting decent crowds, this I Luv Live special managed to attract so many people I found it hard to move.

Presenter Ras Kwame introduced us to singer Ruby Ann, a soul singer from Manchester whose song Goodbye she described to the audience as a ‘dedication to my ex.’ Roses Gabor was up next, and livened the crowd up a bit more performing the Redlight produced track Stupid and Pharaohs, which she featured on the track with SBTRKT.

The crowd was nicely warmed up for the next act Ghetts. He came on stage drink in hand announcing how Eskimo Dance was so crazy on Saturday night he had now lost his voice, apologising to everyone. This didn’t seem to let down his performance, as he started with his verse from She Likes Too, moving onto Who’s On The Panel, Artillery and Red Pill.

The crowd seemed too relaxed until Ghetts took to the stage, all of a sudden there were gun fingers, people were dancing and cheering, Ghetts seemed to have given everyone in the room a burst of energy.

Cue Kano. The audience went mad as soon as he stepped onto the stage, joined by Mikey J the producer of the EP and many other Kano tracks. Random Antics was another favourite for the crowd on the night with everyone joining in on ‘Rah Rah.’ Kano explained Not 4 The A List to the crowd saying, “This isn’t for radio play…I basically was just having fun, making songs with artists that I wanted too.”

After this the crowd went crazy and blocked my view of the stage. I moved my head about 30 times before I caught a glimpse of Wretch 32 and realised why. Wretch had joined Kano for his verse on the song E.T. It would have been nice to have seen Wiley and Scorcher there too.

Ghetts was brought back on stage to perform House Of Pain alongside Kano. They both sat down on speakers and it was definitely a highlight of the night.

Now it was time for some old school classic tunes and a little bit of a battle between various MC’s on stage to see if the other could remember their lyrics and complete the sentence. With Ghetts and Kano talking about releasing an EP together and Ghetts repeating on the mic various times, “This is a defining moment,” made me feel like I was witnessing something momentous.

December 2, 2011

MTV Brand New for 2012

Flavour’s Shireen Fenner headed to Koko last night to the MTV Brand New for 2012, which was headlined by Wretch 32, who was named on last years list. Two other acts who were shortlisted for this year who also performed were Clement Marfo + The Frontline and singer Angel.

Clement Marfo + The Frontline kicked off the show with an intro to Barrel of a Loaded Gun. They also performed their song Champion, which has been used for the Superbowl XLV Ad and the Formula 1 video game on Xbox. The most notable performance of the night was their new single Mayhem, which is produced by Ishy (Tinie Tempah, Tinchy Stryder) featuring Kano. When Kano came to join them on the stage, the energetic and lively Clement jumped onto the floor spraying the front of the audience with water. They finished their set with latest single Overtime, which features Ghetts, and a surprise performance from the man himself.

Angel performed next with single Ride Out, and singing another single Popstar, He pleased the audience with his rendition of Rhianna’s We Found Love, also giving an exclusive teaser of his next single. He told MTV how he felt about being nominated, “It’s been a long time coming and it feels like a blessing.”

Wretch 32 the headliner of the show was joined by surprise guests; Josh Kumra for Don’t Go, Etta Bond for Forgiveness, and an even more surprising guest Loick Essien. Wretch’s performance was amped up by accompanying singers, drummers and a guitarist. His performances of, Orthodox and Traktor got the crowd fired up and proved that MTV are spot on when it comes to naming ones to watch for next year.

The other nominees were announced for MTV’s Brand New For 2012 last night, here are all of the nominees voting closes on January 9th. http://www.mtv.co.uk/brandnew

Angel
Charli XCX
Clement Marfo + The Frontline
Conor Maynard
Delilah
King Charles
Lana Del Ray
Lianne La Havas
Michael Kiwanuka

*published at Flavour Magazine

November 15, 2011

Review: Lowkey ‘Soundtrack To The Struggle’ album launch

As I approached The Garage in Highbury & Islington for Lowkey’s album launch, ‘Soundtrack To The Struggle,’ at 7pm, there was already a massive queue of fans outside. The bouncers tell us that even though we are there to work, we have to get in the guestlist queue. It was never going to happen, as myself and the photographer for the event make our way round to the back of the venue, and into the backstage area.

The first DJ is already playing with host Jonzi D. We go outside and talk to Iraqi born, 18-year-old rapper Crazy Haze, one of the supporting acts for the night, who tells us what he’s been up to at the moment and that he has just come back from a tour of the Middle East. At 8pm the legendary Charlie Sloth graces the stage to gear up the crowd, who to be honest, don’t really need much hyping up. As he comes on stage he announces, ‘I was walking down here and I saw the queue and I nearly cried, it was emotional. Real talk.’ That’s kind of how I felt when I saw the support for Lowkey, who’s video’s and songs have been blocked from most airwaves.

While Charlie Sloth is in the background playing the best in UK and US hip hop, I’m introduced to New Jersey rapper Hassam Salaam, who gives me his album ‘Children Of God’ – which I’ve now listened to and am blown away by. He tells me, ‘I met Lowkey a few times, he told me he was having an album launch tonight. I haven’t heard the album yet, so that’s why I’m here to check it out. I know what his work is about and I know what he’s about and I respect him.’ I also hear him freestyling later and he is not a rapper anyone should sleep on, with Haze remarking, ‘where did this guy come from?’

Camden rapper Awate came on the stage to perform some tracks, including some acapella performances, which got an amazing response from the crowd. After this DJ 279 came back on, with Logic’s performance up next. Logic performed tracks from Freeman and Listen including ‘Price Tag’ and ‘Begging You.’ Special guest Jody McIntyre came on next to perform his ‘War Poem.’ One line I remember strongly from this poem is, ‘fight with a pen, but write with a sword.’ For those of you that don’t know, he is a journalist and political activist, and a very inspirational character. The last supporting act of the night, who comes on to rapturous applause, is Akala. Host Jonzi D comes on the stage and announces, ‘who told you conscious music does not fail.’

It was now time for Lowkey to come on. As he touches the stage he exclaims, ‘I feel like I’m Michael Jackson.’ He performs a whole list of songs including, ‘Obama Nation,’ ‘Obama Nation part 2’ with Black The Ripper joining him on stage, ‘My Soul,’ ‘Terrorist,’ ‘Voice Of The Voiceless,’ ‘Alphabet Assassin,’ and ‘Too Much,’ with Shadia Mansour. ‘Dear England,’ ‘Haunted,’ and ‘Cradle of Civilisation,’ which all feature singer Mai Khalil, when Lowkey performed, ‘Long Live Palestine,’ he got the crowds involvement, chanting, ‘Long Live Gaza, long live Palestine,’ before he performed the track. He also dropped a freestyle during the night, and was joined by another special guest Ghetts at one point. All in all this was a great night for political and conscious music, and one of the best albums of the year by far.

Lowkey briefly talks to me about the album, ‘the album is a culmination of all of my last few years of my life and the last few years as an artist. The main issues I talk about in it us being human. The experience of being a flawed human being in a world where we have clear currency on human beings. Some human beings are worth less and some human beings are worth more, and that’s something I want to change. That’s what the album is about, that’s what my life is about, I try to even the score.’

‘My favourite tracks are Dreamers Or Haunted because they’re both about very personal matters. When writing them I went on the longest journeys. A good song is where when your writing it, it takes you on a journey. You’ll be writing the chorus, and it will take you to a place emotionally.’

*published at Flavour Magazine