Archive for November, 2011

November 15, 2011

Mo Beatz, Mo Problems

An interview I did with Maz at Flavour Magazine…

DJ Mo Beatz has been on his grind since he was 14.

His devotion to music kept him climbing the DJ ranks until he was the most sought after disc jockey in most of Detroit; with artists like Gucci Mane and Wiz Khalifa calling him for his services. Now the DJ from Motown is travelling the world with Big Sean, DJing for the biggest events in the world and is generally living a sweet (but busy) life. Flavour’s Maz and Shireen meet him at the bar of his grand old West End hotel to talk about his journey, from making beats on tables to mixing at Lil Wayne’s party…

S: So you’ve been called DJ Mo Beatz since school days. How did the name come about?

Every day at lunch I would make beats on the table; this was before I was DJing. Some dude who was rapping was like ‘rah!’ and my boy said ‘that’s my boy Mo Beatz, he can make beats with his hands’ and then eventually I started DJing and it kinda stuck.

M: Is this your first time in London?

No, it’s actually my third time in London.

M: So what do you think about the music scene here?

Umm, I don’t know too much. The first time I came out here I had a tour of the city and the second time I was out here with Big Sean; we met Semtex and Tim Westwood and they put me up on [pauses] how do you say it, Wretch 32?

M&S: Yup!

Yeah so I heard him, Tinie Tempah and others.

M: How was meeting Tim Westwood?

He’s very funny… very very very funny, he’s definitely a comedian. I was surprised; I didn’t think he’d be that silly, on and off air! He’s real cool… But as far as the music scene, I’m digging some stuff, I have to do some research and find more, but the stuff I’ve heard so far is cool.

S: You’re from Detroit, aka Motown. How has growing up in such an exciting place musically influenced you?

Detroit is known for Aretha Franklin… soul musicians. It influenced me to a certain degree, if I had wanted to become a singer it would have had a lot more influence, but my influences came from different areas. Motown music made a big difference in music, but not as hugely to me – I’m a different kind of musician I guess.

S: Detroit is also the birthplace for Techno music, along with the great Jazz, Hip Hop, Blues and Rock produced there. How does it influence the people living there?

Well, the Detroit Electronic Music festival is like the biggest festival every year – it’s one of the biggest festivals in the world. That brings a lot of people to the city from all over. I was surprised people came to downtown Detroit for this one festival, its real good to see. Living there, it doesn’t necessarily influence you, but when you come in to the city to enjoy the music, yes it does. Our music does attract people to the city.

S: Who’s your favourite artist from Detroit?

Big Sean of course! J Dilla, Dwele… Those guys I really rock with.

Read the rest of the interview here 

November 15, 2011

Sneakbo shows us the wave

Sneakbo has just independently released his dance-influenced single ‘The Wave,’ which has been playlisted on Radio 1’s B list, and is produced by the dynamic duo Ill Blu. The single comes with a Nu Skool remix from Mike Delinquent, along with a Sibling dubstep remix and various others. The South London rapper can let his amazing Youtube and download hits speak for themselves.

His recent mixtape ‘I’m Buzzin’ obtained 5,000 downloads in just a day and a half, and his Youtube hits reached 5 million in 5 months. Along with this he has opened up for Rick Ross at his London concert, and released songs with Chipmunk and Mavado, not bad for an 18 year old….

Does your heritage of being from Lagos influence your music in anyway? Yes my mum listens to a lot of Nigerian music so growing up in the house there was always a lot of that around me.

How did you first get into music?                                                                                               I was more on the road but a lot of my friends were doing music and I thought for fun let me try and everyone kept saying I’m good at it.

How old were you when you wrote your first lyrics?                                             Around 15.

You’re 18 now, but when you’re 21 what do you want to have achieved?                 I want to have at least one BIG album out and I want to be touring the world.

How did being in prison change your mentality?                                                                                                                        Being in jail makes you appreciate your freedom and things you take for granted like your friends and family. I try to see them as much as I can.

Where did the phrase jetski wave come from and what exactly does it mean?                                                          Jetski is something I used to say in my lyrics and it just stuck. It means fun because Jetski’s are all about fun and holidays. And its a wave life, is a wave to me with all the ups and downs.

Do you feel by coining phrases like ‘wave’ and ‘Dagga Dagga Da’ that it makes you instantly recognisable? Yea definitely but I’m not just narrowed down to those catch phases, I have mixtapes full of songs about my life experiences.

Tell us more about new single ‘The Wave,’ how did the song come around and what’s it about?                          It was mad because Semtex hollered at us to do a dubplate for him which we did, and it was over a dancey beat and when I did it we all thought the song sounds big almost too big for a dubplate. So we decided to go back in the studio and make it an original song, but using my bars that everyone knew from my street record ‘touch a button.’

What are your thoughts on the Nu Skool garage remix done by Mike Deliquent on ‘The Wave?’                           It’s for the Garage fans I try and connect with as many audiences as possible, so I’m hoping this will get played by people like DJ EZ.

Read the rest of the interview here

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November 15, 2011

Emeli Sande: Taking strides and taking control [Interview]

Emeli Sandé is one of the clear rising stars of 2011. The Scottish-born singer-songwriter has already co-written songs and collaborated with some of the cream of the UK music industry, including, Tinie Tempah, Tinchy Stryder, Professor Green and Susan Boyle, while also achieving two Top 10 hits alongside Wiley on ‘Never Be Your Woman, and Chipmunk’s ‘Diamond Rings’, which she not only sang on but co-wrote. With her debut single ‘Heaven’ peaking at No 2 in the charts (blocked from the top spot by Wretch 32’s ‘Don’t Go’), this talented young woman is hard to miss.

Erupting back onto the scene after completing a Neuroscience degree at Glasgow University, Emeli has decided to concentrate solely on music, which has always been her dream. ‘People I’d meet on the course would inspire me because they had wanted to be doctors since they were four or five, and I just knew I didn’t,’ she says. Although she loves medicine and would like to go back to it in the more research side of things, learning about the brain and musical therapy, her passion remains her music, which comes through clearly in her voice.

While studying medicine, her stylistic freedom was held in check, but now we can see the real Emeli emerging. Cutting her hair short and dying it blonde was something she had always wanted to do, along with the addition of a few tattoos. ‘I love tattoos. I have Frida Kahlo on my arm, but I should probably stop; I’m getting a little bit to addicted to it now. I love expressing myself through the way I look just as much as my music.’

So can we expect to see more crazy styles from Emeli as her sound evolves? ‘Probably,’ she says, ‘I’m always changing. I hate being the same thing for too long. Maybe I’ll have green hair by the end of the year, I’m not sure. At the moment I’m OK; I think I’ve gone quite crazy quite quickly. I think I’m just going to chill out and stay a bit calm.’

With the music industry not making as much money as it used to and major labels suffering a loss, it is not always a bad thing as it can pave the way for independent labels and artists. ‘Artists are having to develop and build this big fan base without major labels,’ Emeli explains. ‘Major labels are becoming less and less important, which is quite exciting. With people like Ed Sheeran coming up and Wretch, they have built their careers from just having great music and great lyrics, and people connecting with them. I think it’s exciting to see people like that in the charts. It’s a good time right now, especially in the UK. People can be quite experimental, and great musicianship is just essential.’

 

 

Emeli has always said her music does not fit into one particular genre. Her debut single, produced by Craze & Hoax, is a mix of soul, jazz and drum ’n’ bass. This is a strong and powerful start to her career as a solo singer. ‘I really wanted ‘Heaven’ to be the introduction to me because I loved the lyrics and it really sums me up. It’s one of my most honest songs. It’s a confession, saying you know what? I’m human, I have flaws, I mess up every day – but I am trying.’ The video includes a lot of religious symbols, such as angel wings and crosses, with ‘Fear Is Your Only God’ written on a window.

With her debut riding high in the charts, Emeli can relax for a bit. Before the single was release she says, ‘I felt very excited, but at the same time quite nervous, because usually I would have had someone to share the pressure with, or blame someone else if it doesn’t work out. This time it was all on me.’ Now she can add one more Top 10 single to her list.

But where does her music ability come from? Her mum is from England and her dad, Joel, is from Zambia. He taught himself how to play in the school choir, and many of her family members in Zambia are musically inclined. Though her mum may not be musical, she is her number one fan and like us she’s looking forward to hearing the album.

As a songwriter, Emeli likes to tell stories about her personal life and life experiences, those of herself and people around her. Talking about one song from her album called ‘Clown’, she says, ‘I’m really happy with the lyrics in “Clown”, it’s just describing how I felt in that moment; it’s quite hard to describe, you will have to hear it.’ Emeli promises the album will be full of ‘good lyrics’. She says, ‘That’s the first and foremost thing. I just want it to be very honest and very exposing; I never hold anything back when I’m writing songs. You can expect to just really get to know me when you hear it.

Talking about the future, Emeli says as long as she is making music people want to hear, she will be happy, along with writing music for films. ‘This is my ultimate dream, making music as a career is just perfect. I’d love to win an Ivor Novello; that would be fantastic, just for songwriting. I’d love to work with André 3000 and Nicki Minaj.’

November 15, 2011

Mobo Awards 2011 winners

My review of what happened when I attended the MOBO’s in Glasgow 2011…

Flavour magazine had a great time attending the MOBO awards 2011 in Glasgow SECC yesterday. The nominees were outstanding so the competition was tough. It was a great night of music and fashion, with the big winner being Jessie J who picked up 4 awards out of the 5 categories she was nominated in, including Best Album and Best Song.

Dionne Bromfield gave a stunning performance in tribute to late Godmother Amy Winehouse singing ‘Love is a Losing Game’ which gainned her a standing ovation.

The fans on the red carpet lined up and the biggest screams went to JLS, Dappy and Fazer, Rizzle Kicks and Tinchy Stryder who stayed signing autographs, taking pictures and talking to fans in the rain.

A lot of people were left disappointed that Wretch 32 did not win an award as Mann, Encore, and Dionne Bromfield were rooting for him before the awards took place. With Mann saying, ‘my homeboy Wretch 32 deserves to win, he has done amazing.’

Loick Essien who was up for Best Newcomer said before the awards took place, ‘I’m feeling great. I’m feeling amazing. I’m looking forward to seeing everyone perform. Everyones got their best attire on and everyones got there game face on.’

When asked what is his favourite memory of the MOBO’s, Chipmunk said “winning one when I was 17!”

Boyz II Men closed the show with their sensational old school performance of their classic hits End of the Road and I’ll Make Love to You.

MOBO founder Kanya King told CMU: “The excitement and atmosphere of our second year here in Glasgow has shown the love that the whole country has for MOBO. We felt so welcome the first time we came here, we didn’t think it could be topped. This year has been a phenomenal success and we can’t wait to return in 2013. It’s been a great event that has welcomed some exciting new award winners to the MOBO roll of honour including the global superstar Adele, the UK’s hot talent Tinchy Stryder and of course the fantastic Jessie J walking away with four awards”.

Here’s the full list of winners:

Best UK Act: Jessie J

Best Newcomer: Jessie J

Best Hip Hop/Grime Act: Tinie Tempah

Best Video: Tinchy Stryder feat Dappy – Spaceship

Best International Act: Rihanna

Best Song: Jessie J – Do It Like A Dude

Best Album: Jessie J – Who You Are

Best Reggae: Alborosie

Best Jazz Act: Kairos 4Tet

Best African Act: Wizkid

Best Gospel Act: Triple O

Best R&B/Soul Act: Adele

Outstanding Contribution To Music: Boyz II Men

BeMOBO Award: Youth Music

*published at Flavour Magazine

November 15, 2011

Damien O’Brien: Up close and devilishly magical…

Damien O’Brien has made his mark as one of the best street and close-up magicians in the industry, turning his biggest sceptics into fans with his astounding magic and cheeky charm.

Not one to use just one style of magic, 25-year-old Damien has mastered a dazzling repertoire of disciplines and tricks, using everything from bottles and coins to watches and fire, in addition to reading minds, levitating and hypnotising a spellbound audience at will.

This versatility, along with his unique style, is what sets him apart, as Flavour finds out. “The way I dress is very street and urban and very relaxed. Most magicians you see will be wearing a suit – it’s not very me. I like to be comfortable, and I think the more comfortable I am, the better I perform.” Introduced to magic at the tender age of 12 by magician Richard Bellars, Damien picked up his cards and never looked back. He took to the streets, pubs and nightclubs of southeast London at 18, performing professionally and blowing away unsuspecting members of the public.

His first paid performance was at a pub called the Rising Sun. “I had a group of guys taunting me, going, ‘Come on, then, pull a rabbit out the hat, show us some tricks.’ They were really winding me up. I plucked up confidence and went over and said, ‘I’ll tell you what, as you’re running your mouth, I’ll start with you.’ I did a mind-reading trick on one of the guys where I knew what card he would be thinking about and totally silenced them, and turned the sceptics into fans.” This is something that occurs often after his performances and is one of the key reasons he became a magician.

The defining moment he realised magic was to be his career was in 2003 when David Blaine stayed in a box for 44 days. “I went and stayed the whole time; I loved the response of how a performance like that could hold such a mass audience. I was there every day performing and thought this is what I want to do all the time.”

After this he used his charm to wow a club owner, gaining entry to the club which led to many performances at exclusive private parties full of celebrities, reality TV stars and talent agents. “I wasn’t even meant to be in the party, I just heard about it. I turned up, said I’d been booked here to perform tonight and managed to get my way into the club. I met the owner and started doing magic for him. The main one, which really got him, was a trick where I took his watch from his wrist without him knowing and put it on my own wrist. Right at the end we shook hands and I went to him, “Have you got the time?” He realised he didn’t have his watch, it was sitting on my wrist. After, he started telling everyone in the club about me, saying, ‘You’ve got to go meet everyone’ and introducing me to people.” Damien became a regular fixture, allowing him to perform in front of some of the world’s most famous celebs.

Performing at many events and after-show parties, including the Brit Awards, Cosmo Awards, T4’s On The Beach, NME Awards and World’s Richest Party at the Atlantis Hotel Dubai, to name but a few, he says his favourite events are “the MOBOs or especially the Brits because they were one of the first places that gave me a chance to perform at the official after-party. I love to perform and go out there and mess someone’s head up and leave them totally amazed.”

Read the rest of the interview here http://www.flavourmag.co.uk/damien-obrien-up-close-and-devilishly-magical/

November 15, 2011

J Cole Album Review – Cole World: The Sideline Story

The highly anticipated J Cole album was played to a room full of London critics including DJ’s and journalists. The walls were decorated with quotes from the album, teasing us with what we were to expect. As soon as a member of Roc Nation introduced the album, the buzzing room went silent. Being the first signee to Jay Z’s record label would make many feel pressured. J Cole has proved with Cole World: The Sideline Story that he can handle it, giving his fans what is owed, a truly thought out, lyrical masterpiece.

The album begins with a piano led intro with J Cole introducing the album, explaining how he’s taken his time and that stories will be told, sounding as hungry as he did on the first mixtape. What can only be expected from hearing the intro is that when hearing the songs it will be like watching a movie, keeping listeners interested the whole way through and seeing what the talented Cole has to tell us now. Dolla and a Dream III is the opening track on the album leading on beautifully from the intro with pianos and a big beat to follow, with the beats switching up on every verse, progressing to something better. Launching straight into second single, Can’t Get Enough, which has an addictive bassline line and beat and could easily be heard in clubs and on radio, unlike some of the other tracks on the album. His line, ‘ and I got love for the underground,’ is no lie, as he showcases his ability to be himself and not pander to record executives who want his style to change to fit into more commercial hip hop.

Lights Please from the Warm Up mixtape is a cleverly mastered track that was so well received it has made a place on the album, entwining serious issues with relationships. Mr Nice Watch, which features a verse from Cole’s boss Jay Z, with him encouraging Cole on, ‘You go Cole, it’s your time,’ is a straight banger with a catchy hook, guitar strings and drums. In Cole World there is one word he says in his lyrics which describes him and his artistry perfectly, ‘innovation.’ A nod towards the haters this is an intense track that will get you in deep thought. Lost Ones is a heart wrenching, emotional song about a teenage couple finding out that their expecting a child. It speaks from both the woman and mans point of view about the difficulties they face, the first that they are not ready, money worries, and the woman feeling alone.

Read the rest of the review here http://www.flavourmag.co.uk/j-cole-album-review-cole-world-the-sideline-story/

November 8, 2011

Wretch 32 ft Etta Bond – ‘Forgiveness’

Forgiveness is takes from the Black And White album. The single is produced by Labrinth and features the first signee to his label Odd Child Recordings. Forgiveness is released on December 11th 2011.

November 8, 2011

The life and times of Lisa Maffia

From becoming famous as the only female member of the So Solid Crew, to modeling, a solo career, appearances on TV shows, and more recently launching her own online fashion store and blog, Lisa Maffia is proving to be a versatile success and a pioneering businesswoman. Despite huge success and acclaim, recent events within her family have changed her perspective on life.

Lisa is taking part in Race For Life on 30th July 2011 on Clapham Common. Her mum was diagnosed with cervical cancer in April, which has now spread to other parts of her body. As I talk to her I realise how strong she is. She does not for one moment sound like she is letting it take over her life, she is concentrating on staying positive and focusing on the race, and by doing this, raising money for Cancer Research UK. ‘It really takes over so much of your life, how many people it affects and the money it costs for the treatment. Chemo is really expensive it cost hundreds of thousands per patient, and there’s so many people that need it. Just seeing it with my own eyes really woke me up to see the input this charity has with cancer.’ I don’t think anyone really takes notice of certain charities to do with disabilities or illness until it happens to someone in your family or friends. As they say ignorance is bliss, but you can’t ignore it when it’s affecting someone so close to you.

Cancer Research UK carries out vital work and constantly needs new equipment in the journey to fight cancer for each individual person. ‘Your type of chemo is custom made to your blood type, your weight and lifestyle. There is so much that is put into each persons treatment.’ Race For Life is so fundamental in raising money and awareness,’ Lisa tells me, ‘you can support by taking part in the race it’s £14 to sign up per person for Race for Life. You can raise money personally yourself or donate to any team you want; there are hundreds of thousands of teams. You can also volunteer to work with the charity on the more admin sides of things.’

To read the rest of the feature click here

November 8, 2011

Introducing you to Fantine

Fantine is set to be one of the most interesting artists to come out of Down Under. A singer of quality and highly memorable, she is more than just a beautiful voice, her talent extending to songwriting as well. With a musical style that is very hard to categorise but has sometimes tentatively been described as ‘indie electro soul’, last year saw her touring with Space Invadas featuring as a guest vocalist and co-writing too, in addition to support slots with Lupe Fiasco.

Born in Moscow to a Russian dad and a Dominican mum, Fantine has lived the life of a globetrotter, moving home regularly, and she now calls three countries her home; Russia, Dominican Republic and Australia. Her background and lifestyle have shaped her into the person she is today; quirky and vibrant. An artist with a highly individual and unique sense of style that has caught the eye of publications such as ‘InStyle’ Australia, and ‘No’ from New Zealand, she is about to feature in a shoot for ‘Vogue’ Australia.

Having studied law and accounting at university, she decided to put these qualifications to the side and focus on her true passion, music. The single ‘Rubberoom,’ is set for release in the UK In August. Fantine is currently in the UK to work alongside Gorillaz producer Jason Cox on the 3rd single for the EP, which will be out in November, also featuring her 2nd single ‘Eleven,’ which is currently out in Australia.

What would you say your three strongest characteristics are, and how do they affect you as a person?
I’m quite socially and environmentally aware, I’m vegetarian. I like to get involved with a lot of charities, and I’m quite proactive in the way that I try to reduce my carbon footprint. I suppose I’m quite nerdy, I’m very bookish and I like reading. I do a lot of Sudoku puzzles and puzzles in general as well. I have a fascination with words, and sometimes when people use strange words in their vocabulary, I pick it up straight away. I think that helps to write lyrics.

Read the rest of the interview here 

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November 8, 2011

Khalia touches down…

You may recognize the name Khalia from the female reply she wrote to Wiz Khalifa’s, ‘Roll Up,’ which in the space of just a month received over 100,000 hits on YouTube.

Not bad for a seventeen year old who entered a management/production state with DMP at the tender age of fifteen. She may be one of the youngest urban female artists in the UK right now, but she does not compete with anyone else, only perfection. Her first single ‘Candy Rain,’ an ingenious cover of the Soul For Real hit, confirmed her talent and potential to the listening world, and this initial success was further cemented by ‘Climb’, the first single on her album, ‘Touch Down’.

Having already worked with some talented writers on her album such as Curtis Richardson (Rhianna/J-Lo) and Karl Gordon (Jessie J/Sugababes), Khalia has done a lot. ‘I’ve done three videos in the space of a year, and they’ve all been quite successful, they have been on Channel AKA.’ Khalia describes her sound as, ‘urban but quite catchy, it also has a commercial edge to it.’

The mixtape ‘Touch Down,’ co-written by Khalia and Darren Martyn, shows her progression and confidence as a writer. ‘When we were writing the mixtape that was the song that created the title and the concept. It’s basically about touching down onto the music scene, saying you know this is me, here I am.’ Khalia uses her life experiences to write some songs, ‘I think they do make the best songs. An example would be ‘Love Story,’ it’s on the mixtape as well. It’s about me meeting a boy in Jamaica on holiday and falling in love with him and having to go back home, because it was just a holiday. It’s reality; it’s a true story. We were writing on a bashment vibe and I thought that would be the best beat or vibe to tell that story.’ This is also one of her favourite songs, because it makes her feel good and reminisce.

Read the rest of the feature here http://www.flavourmag.co.uk/khalia-touches-down/