Posts tagged ‘P Money’

May 26, 2015

Nozstock The Hidden Valley Announces Final Names [Festival Event]

Nozstock The Hidden Valley has announced its next wave of names performing at the festival this July at their beautiful working farm in the Herefordshire hills, curated and managed by the father and daughter partnership of Noz and Ella.

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The festival in it’s 17th year has already announced Wu Tang Clan, Martha Reeves & The Vandellas, Beardyman and many more.

The festival is now very proud to announce Fuse ODG joins the bill, with further new live artists including the Neville Staple Band, Will and The People, Mouse Outfit ft Dr Syntax & Sparkz, By The Rivers, The Computers, Will Joseph Cook, Clarence Clarity and many more, with P Money, Mad Professor, Chimpo, Reggae Roast and lots more DJs and MCs, plus in Laughing Stock Seann Walsh, Mark Simmons, Andrew Maxwell, Mike Wozniack, Brett Goldstein, Spencer Jones and Pat Cahill all star.

 

January 22, 2015

Lady Lykez (@LadyLykez) – Nobody Can [Audio + Music Video]

The scene definitely needed a shake up and Lady Lykez has certainly caused a commotion with Nobody Can a track about being boxed in as a ‘female’ MC category and taking shots at males in the scene saying she can do what they can and do it better from Wretch 32 to Stormzy, P Money, Big Narstie and more. I hope one of them are brave enough to speak up…

 

October 23, 2014

P Money (@KingPMoney) – Originators [Music Video]

This track is definitely going to bang in all the clubs. Produced by the most sought after producers in the UK right now The Heavytrackerz, P Money kills the tune with his cheeky lyrics, fierce delivery and a catchy flow. This will be on his EP of the same name dropping soon.

February 14, 2014

P Money (@KingPMoney) – Mad [Music Video]

P Money‘s latest EP for Rinse Round The Clock is a characteristically thrilling, sharp shock of a transmission from the South London-born MC. He releases the second video from it Mad, a blistering affair, with Swifter’s rhythmically deadly trap-influenced beat – all boom-tick rhythms and grimey strings – playing perfect foil for P’s distinctive, abrasive-yet-effortless flow.

 

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February 5, 2014

MTV The Wrap Up: Big H (@BigHOfficial) [Interview]

 

The release of ‘Fire & Smoke’ was long awaited in the grime scene, but last month the album was released after a long hiatus from Big H. The Bloodline crew member is one of grime’s originators and helped lay the foundation young MCs walk on today. With this album release and his forthcoming clash with P Money on Lord Of The Mic 6The Wrap Up’s Shireen Fenner couldn’t wait to catch up with Big H to talk sending, grime’s pop tarts and much more.

The Wrap Up: You one of the originators of grime music and your flow has influenced many. Who in the grime world would you say you have influenced?

Big H: I’d say I have influenced everyone that has come into contact with making grime, whether it’s producers or MCs. If they say I haven’t influenced them or they don’t know of me then something’s not right. All the great people that have got somewhere generally have and picked up a bit of the style.

TWU: Prez T and yourself have some strong connections to Manchester. Are there any differences in the scene there compared to London?

Big H: Manchester, London… it’s all grime at the end of the day, it doesn’t matter where it is; grime is grime wherever you make it. If you’re a crap MC in Birmingham you’re going to be rubbish in London – it isn’t going to change. Even if I were in Afghanistan I’d still be spitting grime. Manchester is just a place where I went to display my music.

TWU: You’ve got the Bloodline album coming out soon. Can you let us know a bit more about it?

Big H: I don’t know if there are going to be any features, but I do know that there is going to be a full Bloodline CD with me Bossman, Paper Pabs, Meridian Dan, Prez T, 9 Milli Major and anyone I forgot. It’s going to be a hard album; we took time to make it. I think it’s going to be the biggest grime album to come out from the main crew; Boy Better Know, Roll Deep or Bloodline. It was supposed to be coming out around spring, but it could be a summer album. I’m waiting on Pabz to press the button.

TWU: Bloodline as a whole is doing really well individually, from Merdian Dan’s ‘German Whip’ to your release; what’s the rest of the crew up to and where do you feel Bloodline’s position is in grime right now?

Big H: Bloodline is at the top of grime. Anyone I really associate with gets somewhere in their career. I’m not saying it to try and big myself up and all that; you can see with the whole Meridian thing, people went on to do big things. The same thing is happening with Bloodline now, people are doing big things. Meridian Dan is doing better, as an MC that was in the background to come to the forefront, it was because of people like me who believed they could get to that point. Same thing I did with Skepta… he was a DJ in the background at one time; with the right influence and push you can go forward.

TWU: You are known for making extremely bold, brash and overly confident statements. What makes you so confident, and what are the downsides of saying some of the things you have said or the bars you have written? Any regrets?

Big H: When I listen to my bars and other peoples, I feel that mine sound better. That confidence when you’re better than other people at MCing makes you confident when it comes to music. I don’t think my statements are bold or outlandish, I just think they’re facts. In a world of lies, facts stand out because there’s not many facts being said. [Laughs] You can call me the grime lord, I’m here to lay down the commandments. I give people what they want.

TWU: You used a phrase in an interview once saying ‘sweet sort of grime MC’s pop tarts’ – which artists would you apply this statement to?

Big H: Skepta, JME, Wiley and anyone that associates with them and is featured with them.

TWU: You’re clashing P Money in LOTM 6. How are you feeling about the clash and why do you feel now is the right time to be on LOTM?

Big H: I think it’s a great time for me to clash P Money and it’s good for me because I’m getting paid to do something that I like doing – pissing off MCs. P Money’s going to lose on the day. It’s like Tyson fighting Bruno, he’s Bruno and I’m Tyson [laughs]. I hope people will be entertained.

TWU: With two such big names, there is a high probability of one of you walking away worse for wear. Do you think that this clash could negatively affect either of you in your careers?

Big H: No I don’t think anyone’s career could be bent; it’s just music. I think it will boost his career; me chiefing him up will make him more popular… just like it made Manga and Scratchy and others more popular. P Money’s not a big MC, people keep saying to me ‘two big MC’s’… he’s not big. Me? I’m actually big; I created the foundation that he’s walking on today. He’s only just come around, he’s part of the new world order – I’m a grime lord. I’d give anyone a try; Jammer’s signing the cheque and he’s paying the right money, so it’s going to happen.  

TWU: You’ve promised some big collaborations in 2014, so what can we look forward to from you this year?

Big H: I’ve got another project being released half way through the year that I’m going to be announcing in the next month or so… I’m just finalizing everything. There will be a lot of names on there that I’ve never collaborated with before.

You can get ‘Fire & Smoke’ via iTunes

 

 

January 28, 2014

MTV The Wrap Up: UK Rap Rundown [News]

Fire In The Booth has really been on fire last week where we heard two epic freestyles. First up was from OGz representative P Money who is set to clash Big H in the forthcoming clash series Lord Of The Mics, who he aimed some exclusive, fresh war bars at. The beats were courtesy of Swifta Beater and Preditah.

One of the UK’s most famed rappers Tinie Tempah was the second one this week to go on the show showing why he climbed to the top and that he can really spit flames silencing a lot of people and getting some stuff off of his chest. He used a few instrumentals including Pusha T’s ‘Numbers On The Boards’, Drake’s ‘Pound Cake’ and Krept & Konan’s ‘Don’t Waste My Time’.  Make sure you check both of these out.

It was good to hear a new track from Manchester lyricist Rio who collaborated with producer Rymez who is behind a few of Wiley’s hit records and talented singer/songwriter L Marshall who always does justice to a track. I’m really feeling this on so make sure you go and have a listen to ‘Hideout’.

An East London rising rapper Shockers is joined by two heavyweights in the scene Ghetts and Joe Black who collaborate with him on ‘Bally On’ a track off his recently released mixtape ‘Shocktown’ which featured other respected names such as Squeeks and Young Marv. With these co-signs it will help strengthen his name in the scene.

D Dark has been around for a little while now and this year I think he’s really going to turn a lot of heads as I can see him experimenting more and a lot more hunger. Take note of his new one ‘F*** About’ which will lead him into his forthcoming big single due to drop soon.

For me Mynature is one of the most honest and best lyricists in the UK at present. His first track of the year ‘Spin Em’ cements this as he shows off his incredible flow, switching it up midway to an old skool jungle one effortlessly and back again. His content is very real and thought provoking, with a confidence on this tune that one that no other rapper can touch him.

January 19, 2014

P Money (@KingPMoney) – Fire In The Booth [Video]

P Money went on air on 1Xtra with Charlie Sloth to drop an exclusive Fire In The Booth freestyle. The OGz member who will be on Lord Of The Mics 6 spit some fire bars aimed at his competitor Big H over beats from Swifta Beater and Preditah.

 

November 27, 2013

MTV The Wrap Up: P Money [Interview]

South London’s P Money has definitely earned his stripes as one of the most gifted MC’s of this generation. The early 20-something OGz member is known for his fast, skippy flow and crazy energy he brings to a track and on stage. He’s not one dimensional either, coming from grime you can also hear him spitting on dubstep beats and r&b. Growing up (like most grime MC’s) on pirate radio, he soon became a well-known figure after hits like ‘Ho’, ‘Slang Like This’ and touring with Magnetic ManThe Wrap Up’s Shireen Fenner catches up with him to talk about his forthcoming shows.

TWU: What do you think makes you different from other MC’s?

PM: Being an MC means it’s easy to just write lyrics, but it’s not easy for everyone else to be able to relate to you. Even down to things such as not using the ‘n’ word and things like that, I think that’s what separates me. A lot of people don’t take that into consideration and realise things like that do actually matter. The moment you say certain things you limit yourself – that is something I never wanted to do.

TWU: Do you think your lyrics reflects your personality? When you write or spit is there another persona that comes out?

PM: The only other persona that comes out is the loudness. If you were around me, I’m always quiet and I analyze stuff. I’m fine sitting down with a few friends watching something, I don’t speak – I’m fine just watching the TV. People who know me and hear my music are like “OMG who is this person? Your loud, you’re speaking.” I think that’s the only difference. When you listen to my lyrics its 100% me – the kind of sarcasm, funny jokes I make… everyone knows that’s who I am.

TWU: ‘Sweet Shop’ and ‘Slang Like This’ were tracks that were perhaps the ones that got you noticed. What are your personal favourite tracks?

PM: My personal favourite would probably be ‘Family’ with Ed Sheeran. He is one of the best people I’ve ever worked with. He broke a different side out of me. He brought a whole different flow, a whole different way of creating a song; I’d never done a track like that before. It means a lot to me because it’s a true story about a car crash I had a few years ago and it’s pretty deep. When I released the track I got feedback from people that had accidents before or knew people that had been in accidents, so it was good to know I related to them and touched them.

TWU: We have LOTM5 coming up. What MC’s do you think this year should clash, and what do you think of the ones already in the pipeline?

PM: I think the Maxsta and Lil Nasty clash will be a good one; they’re both from similar backgrounds, been in the game from young, they both have been around the same kind of people. They’re both grime at heart and they both go hard. I definitely think more of the bigger MC’s should get involved and come back and do it just for the fun of it. Even if they’re two friends. It’s got to a point where clashing is starting to become hostile again; it got to a point where it wasn’t, one week you would hear Ghetts and Wiley then Ghetts and Skepta on radio. It was never hostile, it was all entertainment and excitement, but now because no one really knows each other because it’s not just London based, they have no form of friendship so it can turn hostile. If the MC’s that are more established and know each other come back and do something for the fun of it, it will bring back the fun side to it again and it can go further.

TWU: You tweeted Jammer in regards to clashing Big H saying ‘Let’s do it, let’s talk business.’ What happened?

PM: Big H said he will clash anyone and someone said P Money and he can’t back down, because he said anyone. He tweeted ‘yea I’ll do it’ I said ‘cool let’s do it’. He’s been around a long time – you could say he has a legendary status. In terms of it definitely happening I’m not entirely sure, I think it will, it just might not happen on this one… it might happen on the next one.

TWU: Dot Rotten called out Jammer. What’s your take on this? What do you also think of this statement? He said ‘Insects – (the grime scene’s like a flea circus)’

PM: I think that statement is nothing but disrespectful. You can’t diss something that made you, it doesn’t matter if you don’t like the people in it there, it’s a part of what made you. Everybody has your old CD’s, your old mixtapes and vinyl releases of ‘Bazooka’ when you were producing grime tracks that made you. You weren’t Dot Rotten, you started out as Young Dot so it’s disrespectful to do that. If I started doing rap now and went and dissed grime, it’s disrespectful, that’s what made me and got me where I am now. It’s just rude.

In terms of him calling out Jammer I’m not sure, I think they may have a personal thing… I’m not sure. I think he’s trying to say Jammer’s the host but he’s never clashed. I know he had his thing with Snakeyman but that was all fun and games. Snakeyman doesn’t take music as his thing – clashing isn’t his thing. Normally when you look at rap battles the host is not an MC or a rapper, he’s literally a host. So I think what Dot is trying to say is ‘you can’t be just the host because you tried to clash Snakeyman.’

TWU: You’ve also got your headline shows coming up. How are you feeling about these?

PM: You can expect to hear my EP live along with one or two tracks off my album. The first track I start with is the intro off my album. I’m going to be there early, not sitting backstage… I’m going to be out there; if people want to talk to me, they can. I’m giving people free t-shirts, I’m going to have conversations… I like talking to my fans. That’s normal, I think that’s how it should be. I’m not some alien.

You can get P’s ‘Round The Clock’ EP now.

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October 23, 2013

MTV The Wrap Up: UK Rap Rundown [News]

The MOBO’s returned to Glasgow for their 18th year and we had some commendable winners. On Saturday we saw a duo that have kept a lot of people talking this year and had huge achievements winning best newcomers, well done to Krept & Konan for their award it was truly deserved. The best male award went to the Godfather of Grime, Wiley who this year dropped an album and too many tracks to name showing his incredible work rate. Best hip hop/grime went to Tinie Tempah who will be releasing his ‘Demonstration’ album very soon.

Speaking of Krept & Konan last week they dropped the video to one of their bangers off the ‘Young Kingz’ mixtape. ‘Young N Reckless’ features North London emcee Chip. They recently performed a sold out show in the 02 Islington Academy and have another nearly sold out show coming up in December.

Chip returned to LA to continue work on his third studio album. The first day he was back he put on Instagram a picture of himself with Busta Rhymes. Maybe we can expect collaboration there. Chip’s always kept himself in the public eye, whether it’s freestyles, his tracks, collaborations or through other paths he knows how to keep his name relevant. On Friday he showed us his take on Drake’s ‘Pound Cake’ telling people this is he is still growing as an artist and there is more to come.

S.A.S took it down a completely different route to what we normally hear from them as we were introduced to a new track from them ‘Better Than This’. The two brothers Mega and Mayhem took it down a dubstep route with the beat for this track. What do you think?

Lady Lykez made a quick return after her track which tore up the airways ‘I Love My Butt’. ‘Rosa Parks’ is the newest one from the fiery emcee who recently flew to Atlanta to perform at the AC3 Festival representing the Best British talent. She shows off her more cultured side to a woman who inspires her and shows off her skippy flow for this edgy track.

P Money dropped a banger last week titled ‘Round The Clock’. A hip-hop beat overlaid with metal comes from Loadstar, with P’s familiar voice giving a warning, “If you want it you can get it / But be careful when you get it”. As usual he rides the beat effortlessly in true P Money style.

October 15, 2013

P Money – Round The Clock [Audio]

Round The Clock is P Money’s latest EP for Rinse, finds the London MC on characteristically firey and in-your-face form, exploring all sides of his approach across four tracks – from grime to hip-hop and sub-driven trap-styled beats.

Title track Round The Clock is a thrilling, metal-plated hip-hop beat produced by Loadstar, pairing P’s warnings of “If you want it you can get it / But be careful when you get it” with brittle-edged percussion and kickdrums EQ’d to rattle the ribcage. It finds him on seemingly effortless form, his words wrapping themselves around the rhythms in a way that feels as natural as breathing.