Posts tagged ‘Rapper’

April 4, 2015

One To Watch: C Cane (@OfficialCCane)

ccane

C Cane is an MC from North London, Enfield that is about to cause some serious waves in the scene. Not only can she rap, she can sing, play the drums, piano and the guitar. She’s been in the studio recently with the New Money Recording team and has gone from putting out some sick freestyles to now laying down and recording tracks in the booth and releasing visuals such as ‘Whos Dat’. She’s worked incredibly hard the past few years, doing as many live shows as she can and building the foundations to become a recognised, serious and talented artist. As a lyricist she has some serious bars and can go from a skippy, fast flow to switching it to a more relaxed one. Check out ‘Just Cool Nah’ her recent collaboration with DJ Cameo, Scrufizzer, Saskilla, Drifter & Lil Nasty.

Go to C Cane’s Youtube channel by clicking here

 

January 28, 2014

MTV The Wrap Up: UK Rap Rundown [News]

Fire In The Booth has really been on fire last week where we heard two epic freestyles. First up was from OGz representative P Money who is set to clash Big H in the forthcoming clash series Lord Of The Mics, who he aimed some exclusive, fresh war bars at. The beats were courtesy of Swifta Beater and Preditah.

One of the UK’s most famed rappers Tinie Tempah was the second one this week to go on the show showing why he climbed to the top and that he can really spit flames silencing a lot of people and getting some stuff off of his chest. He used a few instrumentals including Pusha T’s ‘Numbers On The Boards’, Drake’s ‘Pound Cake’ and Krept & Konan’s ‘Don’t Waste My Time’.  Make sure you check both of these out.

It was good to hear a new track from Manchester lyricist Rio who collaborated with producer Rymez who is behind a few of Wiley’s hit records and talented singer/songwriter L Marshall who always does justice to a track. I’m really feeling this on so make sure you go and have a listen to ‘Hideout’.

An East London rising rapper Shockers is joined by two heavyweights in the scene Ghetts and Joe Black who collaborate with him on ‘Bally On’ a track off his recently released mixtape ‘Shocktown’ which featured other respected names such as Squeeks and Young Marv. With these co-signs it will help strengthen his name in the scene.

D Dark has been around for a little while now and this year I think he’s really going to turn a lot of heads as I can see him experimenting more and a lot more hunger. Take note of his new one ‘F*** About’ which will lead him into his forthcoming big single due to drop soon.

For me Mynature is one of the most honest and best lyricists in the UK at present. His first track of the year ‘Spin Em’ cements this as he shows off his incredible flow, switching it up midway to an old skool jungle one effortlessly and back again. His content is very real and thought provoking, with a confidence on this tune that one that no other rapper can touch him.

May 12, 2013

MTV The Wrap Up – Context [Interview]

Four years ago in 2008, Context released his debut EP ‘Dialectics’ with Huw Stephens, revealing his first track to the world on BBC Radio 1. This was a fantastic start in his journey as a music artist, and he later went on to win MTV’s Brand New Unsigned Artist competition in 2012. Now the narrative story-telling MC is back with new single ‘1.4 at 12’ – he talks The Wrap Up’s Shireen Fenner through his sound, going to university and what’s next for him…

The Wrap Up: What was the foundation to your journey as an MC? 

Context: I was always really into rap music in a major way. I moved out of home when I was 19 and I was working in a call centre; I just started messing around, writing tracks to talk about what I was experiencing. I just did songs about living in a ropey house, having a ropey job, but also having a really amazing time with my mates.

Of course, as I’ve got older and experienced more, I have more and more to write about; but at its core, my music has a thread running through it, and I guess that thread is me – exploring what it means to be a young man from a small town. I guess exploring parochialism and everything that comes with it.

TWU: Your sound is very unique, mixing dubstep productions with hip-hop and indie sounds. How did your sound develop?  

Context: It just came from the fact that I’m into a lot of different stuff; but the main reason is a bit more conceptual I think. The whole of idea of being unashamedly yourself is something I’m really keen on. People like Giggs or Drake; they just do exactly what they want musically. Whether you like them or not, you can’t deny that. I rate that a lot.

TWU: Where does the influence for your sound and lyrics come from? 

Context: My influence is my life and the life of my mates. I felt like “Urban Music”, for lack of a better term, didn’t speak to us at all. All our life we grew up on hip-hop and grime, but apart from The Streets, we never related to the artists in the genre. We’re not living in the hood, but we’ve not got any money either. Who speaks for us? Who tells people how large amounts of young people live, well, at least the young people I know anyway, day to day? I felt like I had to do that and do it honestly.

TWU: How do you feel about being called a ‘game changer’? 

Context: It’s great. All I really ever wanted to do was tell our story. I wanted to take the music that I loved and grew up on, but use it to tell people about how we live. Everyone loves to listen to the stories of people in far off lands like Queensbridge or the Marcy projects. When you live in Norwich, London is glamorous too! Like when we heard ‘Boy in the Corner’ – what did we know about Bow? It’s a different world to ours. So if people like the fact that I’m changing the focus of attention to different groups of people, I think that’s great.

TWU: Whilst you were releasing a lot of material, you were at university. Wasn’t it hard to balance the two?

 

Context: It’s a doubled edged sword. Of course it slows you down, but uni is the ONLY reason I can make music, that’s a simple fact. How else would I live day to day? I can’t live with my parents; my dad’s in Scotland and mums in Manchester. My student loan IS my income. Music is an incredibly expensive hobby. It’s like a full-time job that pays no money in the short term. I would always tell people to go to uni if it’s right for them.

TWU: Your new track ‘1.4 at 12’ was just recently unleashed to the public – Tell us about the track.

Context: I was driving around Norwich on a Saturday night going over to my mates. I started writing down all the things I was seeing; a guy bleeding outside a kebab shop, ‘rudeboys’ in maxed out cars, couples arguing… I started thinking about the track ‘Aston Martin Music’ and was just like; the whole ethos of that track has nothing to do with our lives. It’s meaningless to us. This is our life. And honestly, it’s great! Who else is chatting about this? The song basically wrote itself.

TWU: What is Context up to this year?

Context: I’ve just dropped ‘1.4 at 12’ and the video for that. There are a series of remixes dropping in the next few weeks too. Then I’ve got an EP of entirely new material dropping in April or May called ‘Lacked Capital’. I think there will be another single from that EP too. The plan then will be to start getting everyone ready for the album, which is mostly written now. I’ve also got some amazing live dates happening this year too!

Words: Shireen Fenner (@Shireenxoxo)

November 1, 2012

Copywrite: Exclusive lyricism at its best [Interview]

Shireen from Flavour talks hip hop with Ohio’s Copywrite, an rapper who has brought together artists from the UK and US for his brand new album ‘God Save The King’  (Proper English Version)’, released 13th June. We talk about the hip hop scene in Colombus, Ohio, his reputation as a battle MC, and working with the UK’s finest MC’s.

How did your journey as a hip hop MC begin?

I actually started off by accidentally freestyling, spur of the moment in my friend’s basement, while he banged on the table and recorded it into a boom box. This was in 1990/1991 I was about 13/14; people in the neighborhood heard it and told me to keep going. They said it was good which we knew it wasn’t, but at the time and for people that we knew thought it sounded decent.  After that we thought lets try and write something.

Tell me about your early days with Megahertz?

Basically we started in Columbus, Ohio, Megahertz went through a few different phases with different members, but we were just a group of kids who really wanted to make a career out of it and go worldwide with it. We got a good response locally in Ohio and in Columbus, and we hoped the rest of the world would feel the same way the people locally did. We took it a little bit further every year.

You come from Ohio, what is the hip hop scene like out there?

It’s cool you’ve got a lot of people from out here who made a name for themselves. We’ve got Blueprint, Illogic; we have ten worldwide acts from Ohio, Columbus from the same area who just did their own thing on their own merit without help.  It’s quite a hip hop scene out here, the only downfall is we don’t have that many venues to perform at, so most of us go out of state to do our shows. Artistically it’s an incredible place, its birthed a whole lot of great artists and it continues to do so.  There are a lot of people on the come up, new artists that are just getting their names known.

As an MC what do you think is the most important to have; content, delivery, wordplay or flow’?

Flow. You can have the best lyrics in the world, but if you don’t have flow who would want to listen. I’ve heard some MC’s that don’t have the greatest lyrics in the world, but their flow is nice, so they’re listenable. Personally I cant listen to an MC if he doesn’t have timing.

You’ve got a reputation as a battle MC. How do you prepare yourself mentally?

I’ve never really prepared myself; I just go out there. In my earlier days I was just so hungry, and so angry, angry that other people were rapping so good. This was coming from when I was like an arrogant little 19/20 year old, and I would just have an arsenal of my legitimate thoughts. It was already there, these were the thoughts I had trapped in my head, and I was ready to direct them to whoever I thought was in the way or a lesser opponent. I’ve been doing it for so long, but there’s a time and a place for the cockiness and arrogance, which is important to but you learn that along the way. The studio and the stage is the only place for it.

What proportion of your battles is pre prepared and what is off the top of your head on the day?

When I battle it all it is off the top of my head. I wouldn’t go in there with any pre-written or pre-thought out stuff. I would throw all my thoughts in right then and then.

Can you remember a punchline that destroyed your opponent? 

There was a 50 Cent show I did and Jay Z was there, Just Blaze was the judge and there was a kid named Skyscraper and I said, “This aint event fair game, if you’re a skyscraper I’m the Taliban in an airplane.” It was like a crowd of 10,000 they all went crazy.

Which international battlers really stand out to you and why?

There’s a dude names Dirtbag Dan from San Jose, he does a lot of Grind Time battles, I like him because he has a different approach. He has all the basics an MC should have, but he has random stuff and will sometimes come off like a stand up comedian. He’s really good and really funny.

You’ve worked with various UK MC’s in the past. What initially led you to work with MC’s from across the Atlantic?

Early on in my career I got the chance to work with different cats. We went on our first tour in 1998, and Creative from Denmark was one of the first people we worked with. A kid named Formula 1 from Sweden we worked with. I learned early on that everyone has skill. Slick Rick was always one of my favourite MC’s, and to me he’s one of the top MC’s and he hasn’t fallen off. That always blew my mind, and people don’t really stop and think where Slick Rick’s from. As far as me being an Italian, a white dude or whatever, in the same manner I didn’t want people to discriminate against me for being white, I never discriminated against other MC’s for being from different countries. Music’s very transcending and I’ve always seen that.

On your forthcoming album you work with UK MC’s such as Genesis Elijah, Context, SAS, Bigz, Dru Blu and Akala. Why have you continued to develop this relationship with MC’s from the UK?

I think it’s just something different and I feel like with the Internet we have a real bridge. We speak the same language the only thing different is the slang and the accents. This border between us (the US) and the UK is real silly at this point. There’s a lot of politics in music, but I’m just really trying to show people there are a lot of talented people out there, and it doesn’t matter where they’re from. What I like about Context is his flow is real smooth and he has lyrics and he’ll rhyme in particular parts that you don’t expect to hear. Genesis Elijah is real raw and energetic and I always like that. SAS is real street with it. I like the kid Bigz a lot because he has a lot of punchlines and energy and bounces all over the meat. He’s really really dope, I get a really live visual when I hear him. Akala, just forget it that dude’s crazy.

You also feature a lot of US heavyweights. Why the decision to have so many features? 

A lot of people I’m really cool with in the industry, and it was a strategy of mine to get people to pay attention to the MC’s that they may not otherwise pay attention to. I’ve been doing this long enough to know the games that people play. I’m not really into the whole names thing, I base it on talent. I figure if I throw me and Royce and Genesis on a song, people are going to hear it. People are going to listen to it and it might open up their eyes to an artist they otherwise wouldn’t have paid attention to.

Do you think by having such a mixture of UK and US artists that your album becomes fully trans Atlantic or will one side still favor it?

I honestly think it will be trans Atlantic, I think both people will dig it. A lot of people out here really like the song I did with SAS and they’re not pressured into the fact their from the UK, there is no negative feedback. I don’t see how an accent can get in the way of people enjoying the music.

After the album, do you still intend to work with artists from all over the world?

Yes. It’s pretty much an ongoing thing. I get a kick out of putting people onto new artists. My biggest dream would be to do a song with Radiohead.

What is next for Copywrite?

Were working on the Megahertz record with RJD2 and the rest of the group. Our brother passed away from cancer, we’re doing it in honour of him, a tribute to him. We never got the chance to make a proper full length so that what were trying to do.

August 6, 2012

Tinie Tempah Talks Stereotyping To More Magazine

Tinie Tempah wants people to not stereotype ‘urban’ artists, saying not all of them are from broken homes.

“I was well brought up, my parents are still together. When people listen to hip hop, they think everybody’s from a broken home; that it only appeals to people from broken homes and those on drugs. But the majority probably do live with their mum and dad. They probably do go to good schools, and I just want to represent that.”

On his official website biography he talks about growing up on the Aylesbury Estate in South East London…

“London is one of the only places in the world where you can live in a council block and see a beautiful semi-detached house across the street. Growing up around that was inspirational, it kept me motivated.”

July 31, 2012

“Freeway” Ricky Ross Has Stopped Others From Confronting Rapper Rick Ross

The beef, Ricky Ross a drug kingpin feels that the rapper is using his name to succeed and get further in his career. He even took Ross to court over it in 2010, claiming copyright infringement , but lost.

Now in a recent interview Ricky Ross claims that he has had to stop Suge Knight and others from taking the issue further.

“It’s hard,” he said when asked how he keeps people from confronting Ross on the streets. “Trust me, these dudes in L.A. don’t like what he’s done…Even when I lost the lawsuit, three of the shot callers from the hood came to me and said, ‘Is it time yet?’ I was like, ‘Nah, man.’ I don’t want that. I don’t want nobody to do nothing to him. They want to put a no-fly zone on him, saying he can’t come to L.A.”

“Even Suge Knight came out. Suge stepped to me one day like, ‘Let me handle this.’ I was like, ‘Nah.’ It ain’t about that.”