Posts tagged ‘RoxXxan’

December 11, 2016

Pixies Tracks Of The Week @OfficialChip @ROtripleX @MelisaWhiskey @Jammz @KingPMoney

Chip – Winter Time

Chip dropped a video for the ‘Winter Time’ where he sprays some cold, icy bars over a haunting beat produced by Scholar. Chip addresses his haters with style, fresh lyrics and positivity, proving how he is one of Grime’s strongest MC’s about.

Roxxxan – Oouchie

Roxxxan drops the freestyle to the classic Nas track “Oochie” giving it her own flavour and finessing the beat with eloquence and style. She packs in hard punchlines and her endless flows joined by a seductive, shimmering visual ending her 2016 on a high.

Melisa Whiskey – Played

Soulstress Melisa Whiskey brings us the visuals for ‘Played’, the first cut off of her forthcoming debut EP. It displays soul and emotion and shows off her velvety vocals perfectly. It’s reflective and it’s full of realness which you can see in the video through Melisa’s eyes.

Jammz – Danger

East London Grime MC released the visuals to ‘Danger’ this week taken from his ‘Warrior’ EP released in November. Jammz not only spits hard bars throughout the track. but also produced the beat too as well as co-producing the video alongside Risky Roadz.

P Money – Conspiracy Don

After releasing his brilliant new album ‘Live & Direct’ a few weeks ago, P Money now blesses us with the visuals for a track taken from there ‘Conspiracy Don’. The video matches the aggressive sounding flows and bars from P whose sound and style is as on point as ever.

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November 30, 2012

RoxXxan – Guerilla [Music Video]

Birmingham MC RoxXan drops the visuals to Guerilla the second track off her Prepare For When I Land mixtape

June 12, 2012

Roxxxan – Too Fucking Facety

After gaining ace radio support from Mistajam, DJ Target, and Radio 1’s Nick Grimshaw and Zane Lowe, the visuals for Too Fucking Facety, gives us a taste of what is yet to come from this piff puffing, ‘dagga’ yelling MC.

May 31, 2012

Drifter ft. P Money – Only If You Knew

Drifter shot the video for Only If You Knew during Camden Crawl where he performed on the SBTV stage at the Electric Ballroom. This track features OG’z member P Money one of the best grime MC’s in the game. Drifter’s mixtape Catch My Drift, drops on July 2nd 2012 and will feature RoxXxan, Little Dee, P Money, A2 and more with a remix from True Tiger.

March 5, 2012

Everybody Hates Slickz – Out Now

Shireen Fenner talks to Slick Don about his recently released CD Everybody Hates Slickz

Birmingham is finally getting the recognition it deserves in the music industry. Artists like Leshurr, Trilla and RoxXxan are making it more established and known, and now it’s Slick Don’s time. A young MC who has been doing his thing since he was 14, and jumped onto the bassline movement at 16, is now getting back into his grime roots, but also experimenting with other genres too. Shireen Fenner talks to Slick Don about recently released CDEverybody Hates Slickzevolving from MC to artist, and why being from Birmingham is a good thing.

Everybody Hates Slickz is out. That’s quite a statement title, what’s the message behind this?
I’m from Birmingham, and I feel like an artist whose just doing their thing, but a lot of people from the scene don’t like me. It’s mostly people from within the industry MC’s and that, I’m probably one of the most hated. It’s the local MC’s, people from Birmingham; I get more love out of town.  There’s grime, a bit of hip hop, a bit of experimental stuff.

You have no bassline tracks on the album, even though this is your music background. Why did you make that decision?
The way the scene is at the moment, it’s always changing, and it’s never at a standstill. At the moment bassline is not as peak as it used to be. I think people’s head have been turned to another genre. At the moment grime is at the forefront. It’s always changing so I just thought that if I start to brand myself more as an artist, rather than just doing bassline tracks, which everyone knows me for already, it will benefit me more.

You’re quite a versatile artist and don’t just stick to one genre. What are the pros and cons of this for you?
I’m able to work with more producers and artists, and I’m able to get myself out there on a bigger scale. Judging by the feedback I’ve had on Facebook and twitter, my fanbase want to hear me on more stuff, I always get people asking me when am I jumping back on grime. I started on grime originally when I was 14, and then when I was 16 I made a bassline track, and my career kind of took off from there.

Why do you think London artists are getting mainstream success and Birmingham artists aren’t?
London being the main city has much more of a support than Birmingham. When you’ve got artists like Chipmunk and Tinie Tempah who have been doing their thing for a good 5 years and have been going consciously ever since. For Birmingham artists its not impossible to go down that route, its just a lot harder. Say if I want to go on 1xtra or Kiss, I’ve got to go all the way down the motorway and put petrol in. If I lived in London I’d just get an oyster card for £5.

How do you think you can take your music mainstream and do you think it would involve changing it?
I would just do myself, the same kind of lyrics. I’ve just been working with different producers that are on the border of mainstream. Its all about the backing track, you can still be yourself on the tune. Look at Tine; it was that one backing track that crossed him over.

What sets apart the Birmingham music scene from the London scene?
I think the artists and the producers from Birmingham have got something new to offer. Everyone from out of London has always been kissing artists from London’s ass. Now that Birmingham is coming through, it’s a new thing to everyone.

You say you have made a transition from MC to artist, can you explain this for us?
I’m in the process of doing that really, that’s what the CD is about. That was the point of putting out the separate bassline CD, because people will notice on the main one there isn’t any. They’ll get the message, and notice what I’m trying to do, and that I’m trying to do something different rather than the same thing I have been doing for 2–3 years.

So you have a manager now. Why did you decide not to build a team around yourself?
If I could have had a team I would have. I have good people around and good producers, and people I could talk to about my music if I needed to. I could see the bassline scene going downhill, and I just needed some direction. I needed a good manager to point me in the right direction. I’m happy I’ve got management now; they’ve put my whole mind frame in the right place. The projects I’ve got lined up for 2012 are exactly what I wanted to do, but because I didn’t have management, I didn’t have certain links, and I didn’t know how to go about it.

You’ve worked with many talented DJ’s and producers, who would be your ideal person to work on a track with?
Labrinth, Chase & Status, Lil Wayne and Timberland

If you weren’t an MC what would you be doing?
I’d like to say something related to music, something within the music industry, but I can’t see myself doing anything else apart from MC’ing. When I was younger I wanted to be Batman (laughs). Nah at first I wanted to be an electrician, and then I wanted to be a doctor, but that was when I was about 12. I only had that in my mind because I had pressure from my parents so I just chose that.

Which MC’s do you rate from the North of England right now?
Lady Leshurr, Sox, K Dot, there’s a few from Manchester too.

What advice would you give to upcoming MC’s that come from an area that doesn’t have a big scene?
Be consistent. If music is what you want to do and you have a passion for it, just keep going and don’t let people get you down. There’s going to be people that say your rubbish on YouTube, but you cant let that get to you, you’ve just got to keep going. For all them people that are saying s***, there are another 100 or 1000 people that like you.

February 1, 2012

It’s a Brummie Ting: Shireen & Maz meet Lady Leshurr and RoxXxan

It was the filming day for the UK BET cypher and Lady Leshurr and RoxXxan were both outside on a break; it was a blazing hot afternoon. Whilst my Flavour buddy Maz and I were reporting on location, we got the chance to interview the emcees; so we asked them for some snaps. The photographer asks them to stand back to back, to which they both burst into laughter.  ‘I’m too short compared to RoxXxan, no way am I doing that!’ Lady Leshurr says firmly but sweetly, before they laugh again and change pose.

The ladies both hail from Birmingham, but Lady Leshurr and RoxXxan could not be more different. RoxXxan is sporting yellow khakis and Adidas for the shoot; her hair fanned out for volume. In contrast, Lady Leshurr was quite literally pint sized and girlie. Not only different in physical form but with her smooth and husky voice, RoxXxan’s flows could definitely not be mistaken for the cute, hyper presence of Lady Leshurr.

However, the two MCs do share the knowledge of what life is like for a female MC out of London. We sat down with the West Midlands ladies to talk about the Birmingham music scene, being a female in Grime and why you shouldn’t air intimate issues on bars…

As we talk to both the MC’s separately on how they feel about the Birmingham grime scene their views are quite different, with RoxXxan exclaiming, ‘DEAD.’ The reason for her response is because, “what they tend to do is instead of just supporting Birmingham talent, they bring down all the grime or underground MC’s from London, like your P Money’s.” Leshurr seems to disagree with RoxXxan. “It’s progressive. It used to be small, now it’s like a lot of people are on it and people are doing their thing such as Trilla and Slick Don. There are a lot of people that are representing in Birmingham, and a lot of people that know them down in London too. It’s really good it’s healthy at the moment.” RoxXxan believes that Birmingham don’t support their own artists; that’s why she moved to London. “There’s no BRIT School, there’s no labels in Birmingham only Punch Records which is an artist development, kind of like the Urban Development in London. Apart from that there’s nobody.”

We move on to discuss how their Birmingham accents might be difficult to understand, especially with Leshurr, (who is known for spitting fast) and how it could deter them from getting further, especially in the States. Leshurr agrees that sometimes it’s hard for her to be understood by some. “I mean I know a lot of people can’t understand what I’m saying when I spit fast. I don’t worry when I’m in the booth, I just do what I do and hopefully people can understand me. It’s not just my high-pitched voice like a little kid, but my accent is completely different to London. I know it is hard to understand something’s that I say.” RoxXxan tells us her opinion on making it in the US, “I just believe in good music, look at Tinie’s ‘Written In The Stars’, although it never got No.1, he sold a million records over there so it’s platinum. Although it wasn’t straight away, it’s happened now and he’s very easy to understand. They didn’t really get Dizzee Rascal though, he’s really fast. People accept it or they don’t.” They both agree that good music is good music, they don’t think about people accepting it, they do what works for them.

RoxXxan tells us how she uses her roots in her music… “My family are Irish and Jamaican, there’s a lot of slang, ‘Go On The Horse’, that’s what the Irish say, and ‘Bumbclart!’ for the Jamaican’s. I just have fun with music, I don’t really take it too seriously, unless it needs to be.” Whilst she is often in London to become more integrated in the UK music scene, Leshurr thinks that a permanent move would not be the right decision for her right now. “I did want to, but I don’t think I’m going to now because I know that it’s possible to get back and forth between where I need to go. It’s a little bit of money, but it’s a lot of money to live and stay down here and get a house down here. I prefer to come back and forth, but I really do love London it’s my second home.”

The question of being a female in a male dominated game comes up. Leshurr tells us, “When I started listening to Shystie, No Lay and Ms Dynamite, I knew there was hope and it was possible to get your name out there. People respect you for being a female, as well as an all round great entertainer and artist. Right now though I don’t think it’s hard because a lot of other female MC’s are doing it. It’s a very good time I love it.” RoxXxan explains to us her feelings on the subject, “we are born how we’re born, and it is the way it is. It’s a male dominated scene, it’s hard, you just have to step up and prove yourself. Even today being at the BET Cypher, there were Ghetts, Bigz, Chipmunk and G Fresh, it was hard so as a girl you just have to go all out even just to get noticed. You have to hold your own and become comfortable with it.”

RoxXxan talks to us about another Birmingham female MC… “Can I just say about OG Niki, I just want to apologise to everyone who watched the YouTube video, I don’t even know her personally. I see what’s she’s tried to do, and I just hope it is because she is young. I know she’s trying to create a buzz, and do what hasn’t been done before, or to the extent it hasn’t been done before. I just think respect yourself though, not even respect women, but respect yourself, your 17. Not being rude, but she’s not going to find a decent guy now; you’re not helping yourself. She was on the news looting and stuff.” RoxXxan is a strong believer in keeping her private life private, and how she keeps her image and bars real, “I don’t do the whole sexy thing, obviously I’m 22 I have sex, but I take the Beyonce route in my bars. I think you don’t have to give it all, music is what I do it’s not me. If I couldn’t spit anymore, for instance if I lost my voice, I’d still be able to do me, it doesn’t make me who I am. I love it and it’s in my bones, but it doesn’t make me.”

The question now on everybody’s lips is what these two ladies of grime are going to be doing. With Leshurr’s co-sign on the Neva Soft track, we wonder if the 367 ladies who include herself, Lioness and A Dot, will be doing anything together. “Definitely. We want to do tracks together. Were going to do an EP soon, I told them a long time ago we need to do this, so were definitely going to do it now. Were going to have a launch party for it, I’ve even got a top done up with 367 on it. A lot of people are jumping on the wave. It was a mess about thing, but we’ve got to take it seriously now as a lot of people are saying 367 a lot.”

As for RoxXxan? “There’s a lot of females in the game right now. There’s a lot around now because there’s the space, not even a space there’s spaces. There was Dynamite she’s coming back and she’s still got her spot, because when she came she came so well. I think people are looking for new, fresh and exciting talent. The next step for me is to go total left field. Everybody’s on the dubstep, the drum n bass, the slowie, the popie, whatever. Good music is good music; I’m not knocking anyone’s hustle, but for me just expect the unexpectable. I’m experimenting in the studio, writing an album, trying to bring a completely different sound. Obviously you can’t really do what hasn’t been done before, but I’m just taking it somewhere left field.”

November 29, 2011

Yogi Mixes It Up

Yogi began to DJ from the young age of 12, was playing in clubs from the age of 16 and afterwards progressed to working as an intern for Marc Franc, as an assistant engineer on projects with the Black Eyed Peas, T.I and Jay Sean among others. Having completed a degree in Commercial Music, he left university and returned to work with Marc Franc full time, cementing his career in music.

How did Traktor with Wretch 32 come around?

When we made the beat for Traktor, we got a guy called L who does the vocals and did a session with him; it sounded really good. Wretch’s label heard it and said they loved it. They took it but it took so long before we got to see what was actually going to happen with it. We did that beat about a year and a half ago, and it only came out in January this year. It did really well, it went to No.5, and so we were really happy with that.

What happened after that?

After Traktor got to No.5, it was like we need a No.1 we need to take this to the next level, this is cool but you can’t live off this for the rest of your life. In December we had such a wicked creative run, and we did 3 beats. Tinie Tempah has taken one, RD has taken another, and RoxXxan another. We were developing her last year and she got signed to Polydor off a beat that I was doing that Tinie wanted but we gave it to her.

Why did you give it to RoxXxan instead of Tinie Tempah?

We gave it to her because it was more of a loyalty thing. It wasn’t a case of some bigger artist was just going to come and take it, and say yeah this is going to be on my album. This beat got RoxXxan signed to a bigger label. So now she’s signed to Polydor, we will be involved with her album a bit more. Hopefully this will be RoxXxan’s first single.

Follow U is your first official single. Tell us about it?

Aya’s manager came and said I like what your doing, can you come and remix this track for us, and then I heard this track and said cool I’ll do it. It’s kind of like dupstep, but it’s not. it’s slower than dubstep. Mistajam played it on Radio 1 and it was getting a little bit of hype, not crazy. Then Ministry called up and said they love it; and want to put it out as a Yogi single. After that Swedish House Mafia heard it and said we like it. They were really into what we were doing. I now have a management deal with ATM Swedish House Mafia.

You also have a publishing deal with EMI…

In January I did a deal with EMI with a company called Levels, which is Wretch’s label. They said we want to do a publishing deal, and it made sense because they supported what I was doing from nothing. Traktor was nothing and then it became something, then Wretch became something, and now he’s had a No1. It’s good because we made that happen, not being boastful, but Traktor helped him start his career in the mainstream. It was one of those tracks that was urban but it crossed over. So we did the deal with EMI Levels.

What is a track of yours that you are really proud of?

I got this one Tinie track that I’ve done and Zilla is on the hook, it sounds crazy. I’m really proud of it because Tinie has taken that for his next album, but it will be a bit of a wait till it comes out.

Who is your personal favourite person that you have worked with?

They’re all good. Everyone’s got a different vibe, even writers. Zilla is really good to work with, because she can play and if I’m stuck we will write a hook together and that’s always fun. L was really good to work with because he writes a chorus so quickly. Like he’ll go in the toilet and come out and be done, no writing just recording. Wretch is wicked as well, he is very professional and his metaphors are crazy. There is a writer called Autumn Roe who wrote Leonne Lewis’ new single Collide, and all the Alexis Jordon single’s. You go in a room with her and you know your getting a hit. You will get a brilliant song done in half a day, and she’ll be like where’s the next one? I’m working with a guy called Frasier T Smith, he did the Adele song Set The Fire To The Rain and Tinchy Stryder and Taio Cruz’s Break Your Heart, he’s a producer and he’s like the nicest guy you will meet in your life. He just has the nice, positive energy, there’s something really calm and soothing about being around him. I was in a session with him and Talay Riley who’s wicked as well.

Is there anything your working on that Flavour readers would be interested to hear?

I’m working on RoxXxan’s album and a project with RD. I’m doing a second single as well; I might do something with Zilla or Steve Angelo or Wretch 32. I’m working on the Swedish House Mafia album, which will be crazy. I’ve got stuff with Tinie Tempah and Tinchy Stryder coming out. Zilla’s album will be out next year, we’re about 6 tracks in at the moment and we’re going to get some exciting people to come and work on the project. I want to start doing some live shows again. I just can’t wait for these songs to drop.

*published in Flavour Magazine