London’s Melanin 9 releases his debut album Magna Carta on 3rd December 2012. He’s built up a reputation as one of the country’s most gifted emcees opening for interntaional artists such as Immortal Technique, Styles P and Wu Tang. Check out the second track Organized Democracy from the new 14 track album.
MTV Wrap Up: UK Rap Rundown [News]
Hey, I hope you all had a good weekend – I did! Therefore, I am going to kick off with some good news this week. Hackney hip-hop artist Mikill Pane, who has worked with Ed Sheeran and Example, signed to Mercury Records last week. He announced the news via his Twitter and Instagram accounts, saying: “I moved to a new planet today. Proud to announce that I am now signed & I’m on Mercury Records…”
Mikill is said to be finishing his debut album ‘Blame Miss Barclay’,which we should be hearing before the end of this year. Congratulations!
Plan B has been nominated for the Mercury Music Prize shortlist for his third album, which was also the Ill Manors soundtrack – making history as the first ever soundtrack to get a nomination. The judges have praised the soundtrack to his film of the same name, calling it “a brilliantly visceral soundtrack to an angry, troubling and harsh picture of life on the underside of London in 2012.”
Fekky,who previously teamed up with DJ Whoo Kid to release his ‘Come On Den’ mixtape, recently released his video to ‘Bang’ featuring Young Spray and Frisco. He also announced that he will also be working on a joint EP with Slic Vic and has a track with Wretch 32 in the pipeline. Meanwhile, Young Spray took to GRM Daily to release a net video to ‘Away’ – a heartfelt track from the ‘Hard To Kill Vol.2’ mixtape.
Jaja Soze recently released his album ‘The Last Message’. He also dropped the video to his track ‘Street Paradise’, an inspirational jam; which hears him say: “The urban scene just gets nervous every time I speak and when they see me it gets worse they try and kiss my feet.” Jaja also joined Geko for his latest track ‘Slideshow’.
Play Dirty’s Yungen gave us the hard new track ‘Rapstars’, which hears him talks about the life he lives – “independent life no label.” The track is produced by Steel Banglez; sounding like an interesting fusion of rap, rock and electro.
Clixx brought us a beautiful live acoustic version of his second single ‘Only If You Want’, which features singer Jermaine Riley and is from the ‘XX’ mixtape. We should be hearing some new material from Clixx soon; he is definitely one to watch.
Last week K. Koke shot the video to his first official single featuring Maverick Sabre from his ‘I Ain’t Perfect Album’. Speaking on K. Koke’s online TV series, Maverick Sabre said: “I love universal music, music that can connect with everybody no matter what genre. I think there have only been a few rappers over time that can do that well.
“I think the best way through hip-hop you can do that is through pain and struggle. Everybody can connect with that to a certain level. People speak to the people.”
Devlin [Interview]
Two years has passed since Dagenham rapper Devlin delivered his debut album ‘Bud, Sweat And Beers’ – now he is back and gearing up for the release of his second album ‘A Moving Picture’. After recently giving us a taster of what is to come with the free download ‘The Director’s Cut’ mixtape, The Wrap Up’s Shireen Fenner headed down to the Adidas HQ to talk about his new single ‘Watchtower’, acting and the realness of his lyrics…
The Wrap Up: Hey Devlin. In the past, you have been associated with O.T and The Movement. What is your background with these two crews?
Devlin: I got involved in O.T when I was growing up and first started listening to grime. The Movement started with me and Ghetts; he’s my friend. Scorcher and Wretch [32] were doing their thing and they were so lyrical, we thought we should come together so we could all bounce off each other and better ourselves. O.T, that’s my family, that’s my management, that’s my boys – I’ll always be O.T.
TWU: How does coming from Dagenham influence the content of your verses?
Devlin: I can only write about what I’ve seen and that is a big influence. I am writing about my upbringing and that inspired me to write a lot of songs. It is the place that made me. That’s all I can be, I just try and do me and a lot of people have got behind me for it.
TWU: Can you talk to us about the video to your latest single ‘Watchtower’?
Devlin: Ed [Sheeran] and me just did a move and it all went wrong. It’s a short film, with a cinematic vibe. Usually you get a video where you’re looking down the camera performing, but this one it was all about the acting.
TWU: Many of your peers have got into acting; is that something you would consider?
Devlin: I really enjoyed it, but it was nerve racking as hell! I’ve always respected anyone who has a pop at anything in their art form. I really enjoyed it. I also thought Scorcher, Asher D and Kano did really well in ‘Top Boy’. Who knows? I might follow in their footsteps one day if the role is right.
TWU: The Dylan and Hendrix versions of ‘Watchtower’ are timeless classics. Was there pressure when creating your version?
Devlin: Going back to what I was saying before, all I can do is me. I’ve had a go; I’ve wound up a lot of old people who are disgusted that me, Ed and Labrinth have even tried to cover the song.
TWU: ‘Watchtower’ is a clear divergence from your general style. Did the alternative instrumental influence what you wrote about?
Devlin: It is a hip-hop beat still. Just because the sound is different, it doesn’t mean you can’t make that sound as crazy, or as different, or as synthetic as possible. You can take those tempos anywhere. To me it’s still a rap song, it just sounds rocky – its rocky rap. The sound of the record definitely influences how you write or what you write. With a concept in mind, I wanted to sit back and look at my life over the last two years in the industry.
TWU: It’s been two years since your last album ‘Bud, Sweat and Beers’. How will the forthcoming album ‘A Moving Picture’ show the evolution of you as an artist?
Devlin: It’s just a natural progression; my sound is a lot more professional and grown. I’ve got two years of being in the mainstream to write about. I’ve played Wembley, I’ve done my own tours and I’ve done things that were a dream up until two years ago. I’ve got a lot to draw inspiration from and a lot of new things to talk about. It’s been an emotional journey and I want to try and capture that in the album.
TWU: Dazed and Confused magazine called you ‘one of the few MCs daring to say something different’. How do you feel about this statement?
Devlin: For a start, I appreciate that. There’s a negative element about my music, not all the time, but everyone’s painting a happy picture out here, I’m just trying to paint the picture that I see. I just try and see things, rather than making a song about a Rolex, or having millions of birds wrapped round me. I can only draw on what I’ve seen and paint the real picture.
TWU: What do you think a UK rapper needs to get a number one?
Devlin: You’ve got to be clever with it. You could have a straight up rap song and I don’t think it would get to no.1. That is why you put the choruses on there for these singles and try and play the game. The more pop you go, the more successful you become. I can’t go that poppy, but make a funky house tune and talk about birds, diamonds and watches; then you’ll end up at no.1. I doubt I ever will.
TWU: Lastly, who would you say is the hottest UK femcee?
Devlin: I’ve not known that many female artists over the years. No Lay and Baby Blue, they’ve been lyrical, they’ve had flows and they’ve been about for quite a long time. If you’re a good looking bird I’m not that fussy. I’m a brunette man…
Kings Of The City – The Devil [Music Video]
Kings Of The City return with their brand new video for The Devil. For this track they mix their now familiar blend of Blues and Hip Hop with a harder edge inspired by bands like Black Sabbath and Rage Against The Machine. The Devil is taken from Kings Of The City’s No Guts EP
Klashnekoff – Got To Be Right [Audio]
]One of UK hip hop’s finest recently released his Fuck The Long Talk album. Here is one of the tracks off is Got To Be Right produced by Show N Prove.
Listen here: klashnekoff-got-to-be-right
Mystro – That Rush [Music Video]
West London’s Mystro has just released his long awaited debut album ‘Mystrogen‘ on his own ‘Don’t Bizznizz’ label. Renowned for his mix of wordplay, punch lines, social commentary and humour, the album released on 10th September reflects his full range of skills. Production contributors include Black Einstein, fLako, Show N Prove and Firstman with features provided by Homeboy Sandman, Junior Reid and Lloyd Brown.
The latest off the album is That Rush, produced by former beatsmith for The Creators Si Spex
Maxsta – Pop Off [Music Video]
Fresh from the success of street-track I Wanna Rock, grime artist Maxsta will release his next single Pop Off’on 22nd October. Check the video below.