Produced by Nutty P
A pixie's everyday writing adventures
One of favourite UK rappers Benny Banks drops the official video for Bada Bing. The song is released on 18th January on iTunes.
Dj Whoo Kid stopped off at Thisis50, to talk about joining G Unit as the resident DJ, and his ‘love’ smack he received off 50 Cent. He recalls the amount of times 50 has sacked him from his position as his DJ too. Whoo Kid also talks about the time when Eminem and his camp wanted him killed…
“The first DJ got stabbed and left town, went to Tennessee or somewhere,” Whoo Kid said, describing how he became a part of G-Unit. “I think it was during that studio situation where the lights got cut off. It was a deejay that got stabbed. When 50’s mixtape came out, they had the tour schedule. They just needed a deejay but at that time, they weren’t interviewing anybody. The trust issue was crazy. So, I was put into G-Unit as the deejay.”
“It’s up to 48 [times being fired] now,” he said. “I don’t mind getting fired because I guess he’s so used to doing it so much that he gotta keep firing me. You could go on YouTube and see all the countries I got fired from.”
Whoo Kid then talks about 50 Cent smacking random people and himself.
“I didn’t want to fuck up with 50 on stage because during those days, he was ruthless. He was smacking everybody. He was smacking people per day. He was smacking everybody on the bus. If he had nothing to talk about or to do, he would smack random people on the bus. That’s why I stayed in the front with the fucking bus driver.”
“He loves me so it’s like a love smack. But the new niggas was gettin’ wrecked.”
On Eminem
“Along time ago, I leaked an Eminem joint by mistake and they wanted to kill me,” he shared.
Read my interview with Whoo Kid here
Last night was the Brit Awards nominations, so here they are for 2012
British Male Solo Artist
Ed Sheeran
James Blake
James Morrison
Noel Gallagher’s High Flying Birds
Professor Green
British Female Solo Artist
Adele
Florence & the Machine
Jessie J
Kate Bush
Laura Marling
British Breakthrough Act
Anna Calvi
Ed Sheeran
Emeli Sandé
Jessie J
The Vaccines
British Group
Arctic Monkeys
Chase & Status
Coldplay
Elbow
Kasabian
British Single
Adele – Someone Like You
Ed Sheeran – The A Team
Example – Changed The Way You Kissed Me
Jessie J ft Bob – Price Tag
JLS ft Dev – She Makes Me Wanna
Military Wives/Gareth Malone – Wherever You Are
Olly Murs ft Rizzle Kicks – Heart Skips A Beat
One Direction – What Makes You Beautiful
Pixie Lott – All About Tonight
The Wanted – Glad You Came
International Female Solo Artist
Beyoncé
Bjork
Feist
Lady Gaga
Rihanna
International Group
Fleet Foxes
Foo Fighters
Jay Z/ Kanye West
Lady Antebellum
Maroon 5
International Breakthrough Act
Aloe Blacc
Bon Iver
Foster The People
Lana Del Rey
Nicki Minaj
Outstanding Contribution to Music
WINNER:
Blur
Critics Choice
1st – Emeli Sandé
2nd – Maverick Sabre
3rd – Michael Kiwanuka
British Producer
Paul Epworth
Flood
Ethan Johes
We always knew that any child of the power couple Jay Z and Beyonce would be as famous if not more as the couple. The not even a week old Blue Ivy Carter has broken a record already as the youngest person to enter the chart on Billboard.
The song Glory entered the Billboard Hip Hop/R&B Charts at No.74 this weekend. The song which credits Blue Ivy Carter as B.I.C features her first moments into the world after birth as we hear her cries. She is the youngest person to reach the Billboard charts only 48 hours after birth. It is also a double achievement as it is the highest new entry on the chart this week, and B.I.C having a chart hit under her belt already.
Mic Righteous, real name Rocky, oh yes, is one of the most talented and honest rappers in the UK. His music speaks volumes and takes rap music back to its grassroots where it’s about oppressed people having a voice. His mixtape Yob Culture comes with a hard and passionate delivery of lyrics – hear his anger and hunger as he take us deeper into his world…
His parents fled Iran in the early 80s, moving to Margate to begin what they hoped would be a better life. This was not to be. By the time Mic was 10, both parents were not around, so he and his sister faced maybe going into foster care. His brother looked after them for a few years, but at the age of 14, Mic was left to survive on his own again, this time without his sister who had gone to university. He left school and his seclusion from the world took his writing to new heights; it became a form of escape.
On Yob Culture, in ‘Tied to the Tracks’, he says, ‘Mic Righteous is back, the Mike Tyson of rap.’ The former undisputed heavyweight champion of the world is where Mic Righteous he got his name. ‘I used to be called Mr Reid because my brother was called Mr Blitz. Eventually I thought that name’s kind of whack, so I decided to change it. Mic Righteous was kind of like Mike Tyson, and I was really influenced by Mike Tyson at the time; I love boxing. I just thought of Mic Righteous, it just My manager said, ‘That’s it, we need to take over now, were ready to go.’ The name suits him well as his raps are packed with punches.
Mic Righteous first came to people’s attention shortly before he turned 18, when he featured on English Frank’s album The Hardway, then on Lowkey’s LP Dear Listener, which put him at the forefront of conscious rap and brought him to the attention of hip hop’s underground movement, gaining him a fanbase worldwide. About Akala, Lowkey and English Frank he remarks, ‘All them guys, they’re my dawgs.’ What does he think about people comparing him and Lowkey, even though the differences are obvious? ‘I don’t know why people say it. I don’t think I sound like Lowkey in any way; but if I do, it’s because I listen to a lot of his music, so it’s probably rubbed off. I’ve acknowledged that people have started to clock that, but it’s not like I try and copy him, he’s just one of my friends. Lowkey took me under his wing at one point when I was young. He’s taken me to the side many times and been like, ‘This is your future.’
The two discuss politics and religion in their songs. ‘I have beliefs,’ says Mic, ‘I believe in a higher power. I don’t know about religion, but I believe it’s a basic skeleton to live your life by. Everyone knows you shouldn’t steal, you shouldn’t kill, you shouldn’t do bad things. My parents were religious and moved here – nuff said [laughs]. My mum still prays and that, but she does a lot of things that contradict her religion at the same time; but we all do, don’t we? That’s why I don’t label myself as anything; I just have my own beliefs.’ Wise for his 21 years, likely down to an emotional and turbulent life, he is also sweet, charming and open despite this.
Things are looking up now he has signed a publishing deal with Sony ATV/Naughty Words. Naughty Boy is the producer behind Emeli Sandé’s hit ‘Heaven’ and new song ‘Daddy’; he has worked with Wiley, Chipmunk and Professor Green, among others, and previously with Mic, Dot Rotten, Griminal and Sneakbo on the single ‘F**kery’. ‘I signed a few months back, so Naughty Boy is my publisher. Shah’s one of my good friends and I love Emeli Sandé, she’s like my sister.’
As we’re there on the shoot of video ‘I Know’, Mic talks about the new track and the album follow-up to Yob Culture. ‘The new track is “I Know” – Charlie Sloth and DJ Semtex have been spinning it; we’re going to put it out soon. It’s the first off the album Kampaign, and every single beat is produced by Preston Play. It’s kind of like Preston Play presents Mic Righteous’ Kampaign. This is the new thing I’m trying to bring to the table, the pain, the essence. Kampaign is the new movement, Yob Culture is the movement, Mic Righteous is the movement.’ And the next big thing.
Back to the Future
Favourite childhood memory?
Probably leaving school. Yeah, my last day of school.
Favourite childhood film?
Terminator 2.
Best food:
My mum used to make this dish called ‘subsi’, but you won’t know what that is.
We do actually…
[Looks excited] You know what it is? That’s sick! Do you like it? Oh I love you!
If you could bring a memory back from the past what would it be?
That’s quite hard… I remember one time, my brother took me out and we emptied out Coke bottles, cut them and put them on our arms so it was like we had guns on our arms…
[Anyone else confused?]
Cos the bumps at the end look like a machine gun.
[Of course…]
We took them out and pretended there were aliens in the field – then we shot them.
Favourite album?
The Marshall Mathers LP.
Favourite old-school tune?
[Ponders for some time] Tupac,
‘Hit ’Em Up’ or ‘Holla At Me’ or
‘Dear Mama’
What’s your most embarrassing
childhood moment?
Probably when you’re out and about and a bird just squats on ya. In Margate there are a lot of seagulls and one will just decide to squat on ya and it will land on your face or something. That’s pretty embarrassing.
Worst childhood telling off?
One time I had a fight, my first fight, and I got told off because I didn’t win it, so I wasn’t allowed home. I was so pissed off I went out, found the kid and slapped him. Then I went home and my dad was alright!
Follow Mic Righteous on Twitter @MicRighteous or visit http://www.micrighteous.com
* published in Flavour Magazine
This is a sick rework to Frank Ocean’s Swim Good, but we wouldn’t expect any less from the talented beatboxer that is Faith SFX.
I posted Amber Roses new song with Wiz up yesterday. Now they are set to star in a movie together Gang Of Roses 2. Watch the short face off preview above.
Birdman the co founder of Cash Money yesterday revealed his thoughts on the Common and Drake beef with a recent interview on Los Angeles’ Power 106. Th feud started late last year with no members from Young Money Cash Money speaking up on it. Birdman makes it clear that he will always back his team.
“Drake the homie so we ride or die. Ain’t no second questions about that, but we never been a brand to make records and want to make money off of making records of other people that’s not what we about,” Birdman explained. “So to me however the young homie deal with it we behind him, we supporting him 100 percent with our life so that’s just what it is. Ain’t no other way. Drake the lil’ homie that’s blood, that’s family, and ain’t no siding with that. It’s Drake or nothing.”
“We don’t do all that. We never did that,” said Birdman. “Never was about making money off of music off of diss records. That’s not how we operate. We try to give the fans – I mean when you get caught up in that to me you forget what this about. And it’s about the people and that’s what we do. We do our music for the people. We never been a brand to diss and diss records and try to make money that’s not us. But Drake the homie and we support him fully and whatever he ‘bout we ‘bout. However that turns out that’s just what it is.”