Posts tagged ‘Wrap Up’

September 19, 2012

MTV Wrap Up: UK Rap Rundown [News]

Hey, I hope you all had a good weekend – I did! Therefore, I am going to kick off with some good news this week. Hackney hip-hop artist Mikill Pane, who has worked with Ed Sheeran and Example, signed to Mercury Records last week. He announced the news via his Twitter and Instagram accounts, saying: “I moved to a new planet today. Proud to announce that I am now signed & I’m on Mercury Records…”

Mikill is said to be finishing his debut album ‘Blame Miss Barclay’,which we should be hearing before the end of this year. Congratulations!

Plan B has been nominated for the Mercury Music Prize shortlist for his third album, which was also the Ill Manors soundtrack – making history as the first ever soundtrack to get a nomination. The judges have praised the soundtrack to his film of the same name, calling it “a brilliantly visceral soundtrack to an angry, troubling and harsh picture of life on the underside of London in 2012.”

Fekky,who previously teamed up with DJ Whoo Kid to release his ‘Come On Den’ mixtape, recently released his video to ‘Bang’ featuring Young Spray and Frisco. He also announced that he will also be working on a joint EP with Slic Vic and has a track with Wretch 32 in the pipeline. Meanwhile, Young Spray took to GRM Daily to release a net video to ‘Away’ – a heartfelt track from the ‘Hard To Kill Vol.2’ mixtape.

Jaja Soze recently released his album ‘The Last Message’. He also dropped the video to his track ‘Street Paradise’, an inspirational jam; which hears him say: “The urban scene just gets nervous every time I speak and when they see me it gets worse they try and kiss my feet.” Jaja also joined Geko for his latest track ‘Slideshow’.

Play Dirty’s Yungen gave us the hard new track ‘Rapstars’, which hears him talks about the life he lives – “independent life no label.” The track is produced by Steel Banglez; sounding like an interesting fusion of rap, rock and electro.

Clixx brought us a beautiful live acoustic version of his second single ‘Only If You Want’, which features singer Jermaine Riley and is from the ‘XX’ mixtape. We should be hearing some new material from Clixx soon; he is definitely one to watch.

Last week K. Koke shot the video to his first official single featuring Maverick Sabre from his ‘I Ain’t Perfect Album’. Speaking on K. Koke’s online TV series, Maverick Sabre said: “I love universal music, music that can connect with everybody no matter what genre. I think there have only been a few rappers over time that can do that well.

“I think the best way through hip-hop you can do that is through pain and struggle. Everybody can connect with that to a certain level. People speak to the people.”

September 19, 2012

Devlin [Interview]

Two years has passed since Dagenham rapper Devlin delivered his debut album ‘Bud, Sweat And Beers’ – now he is back and gearing up for the release of his second album ‘A Moving Picture’. After recently giving us a taster of what is to come with the free download ‘The Director’s Cut’ mixtape, The Wrap Up’s Shireen Fenner headed down to the Adidas HQ to talk about his new single ‘Watchtower’, acting and the realness of his lyrics…

The Wrap Up: Hey Devlin. In the past, you have been associated with O.T and The Movement. What is your background with these two crews?

Devlin: I got involved in O.T when I was growing up and first started listening to grime. The Movement started with me and Ghetts; he’s my friend. Scorcher and Wretch [32] were doing their thing and they were so lyrical, we thought we should come together so we could all bounce off each other and better ourselves. O.T, that’s my family, that’s my management, that’s my boys – I’ll always be O.T.

TWU: How does coming from Dagenham influence the content of your verses?

Devlin: I can only write about what I’ve seen and that is a big influence. I am writing about my upbringing and that inspired me to write a lot of songs. It is the place that made me. That’s all I can be, I just try and do me and a lot of people have got behind me for it.

TWU: Can you talk to us about the video to your latest single ‘Watchtower’?

Devlin: Ed [Sheeran] and me just did a move and it all went wrong. It’s a short film, with a cinematic vibe. Usually you get a video where you’re looking down the camera performing, but this one it was all about the acting.

TWU: Many of your peers have got into acting; is that something you would consider?

Devlin: I really enjoyed it, but it was nerve racking as hell! I’ve always respected anyone who has a pop at anything in their art form. I really enjoyed it. I also thought Scorcher, Asher D and Kano did really well in ‘Top Boy’. Who knows? I might follow in their footsteps one day if the role is right.

TWU: The Dylan and Hendrix versions of ‘Watchtower’ are timeless classics. Was there pressure when creating your version?

Devlin: Going back to what I was saying before, all I can do is me. I’ve had a go; I’ve wound up a lot of old people who are disgusted that me, Ed and Labrinth have even tried to cover the song.

TWU: ‘Watchtower’ is a clear divergence from your general style. Did the alternative instrumental influence what you wrote about?

Devlin: It is a hip-hop beat still. Just because the sound is different, it doesn’t mean you can’t make that sound as crazy, or as different, or as synthetic as possible. You can take those tempos anywhere. To me it’s still a rap song, it just sounds rocky – its rocky rap. The sound of the record definitely influences how you write or what you write. With a concept in mind, I wanted to sit back and look at my life over the last two years in the industry.

TWU: It’s been two years since your last album ‘Bud, Sweat and Beers’. How will the forthcoming album ‘A Moving Picture’ show the evolution of you as an artist?

Devlin: It’s just a natural progression; my sound is a lot more professional and grown. I’ve got two years of being in the mainstream to write about. I’ve played Wembley, I’ve done my own tours and I’ve done things that were a dream up until two years ago. I’ve got a lot to draw inspiration from and a lot of new things to talk about. It’s been an emotional journey and I want to try and capture that in the album.

TWU: Dazed and Confused magazine called you ‘one of the few MCs daring to say something different’. How do you feel about this statement?

Devlin: For a start, I appreciate that. There’s a negative element about my music, not all the time, but everyone’s painting a happy picture out here, I’m just trying to paint the picture that I see. I just try and see things, rather than making a song about a Rolex, or having millions of birds wrapped round me. I can only draw on what I’ve seen and paint the real picture.

TWU: What do you think a UK rapper needs to get a number one?

Devlin: You’ve got to be clever with it. You could have a straight up rap song and I don’t think it would get to no.1. That is why you put the choruses on there for these singles and try and play the game. The more pop you go, the more successful you become. I can’t go that poppy, but make a funky house tune and talk about birds, diamonds and watches; then you’ll end up at no.1. I doubt I ever will.

TWU: Lastly, who would you say is the hottest UK femcee?

Devlin: I’ve not known that many female artists over the years. No Lay and Baby Blue, they’ve been lyrical, they’ve had flows and they’ve been about for quite a long time. If you’re a good looking bird I’m not that fussy. I’m a brunette man…

August 24, 2012

MTV Wrap Up: The UK Rap Rundown [News]

In last week’s column I gave you some info on Professor Green’s Twitter rants. This week, he and Akala went head-to-head with one another on the social networking site. Pro Green hit out at Akala after he used him as an example of white rappers depicting black culture in music, referencing Pro Green’s ‘Jungle’ negatively. Akala threw Maverick Sabre’s name in, who featured on the track, during the heated twitter discussion which led him to release a statement – read more here

Clement Marfo also went on Twitter to show his frustration at his record label recently, explaining that him and his band The Frontline’s album should have been released last autumn; yet there is still no release date. He then leaked five of his album tracks for free to his fans.

Last Monday I headed down to the Jump Off Finals at Scala, London. The MC battle was a very close one, but in the end Tenchoo was the winner of the 5K prize. The producer battle wasn’t quite as close and most people had decided on the winner Loko (Black Ice) from the first round. Dance crew Prototype won the 10K prize, the biggest of the night. Congratulations to all of the contestants for getting so far.

Squeeks has been releasing a lot of visuals this month; this week alone he has put out two. The first one is ‘Meet K’ where he talks us through a story of a female. The second one ‘I Got You’ was released yesterday and is a refix of The Weeknd’s ‘Rolling Stone’ – it’s definitely one for the ladies!

Wretch 32 released his freestyle ‘Drinking In The Sky’ featuring Chip, giving us a teaser of what to expect from his mixtape ‘Wretchercise’ the next day. This was his first full-length project in a year since his album ‘Black & White’. I have to say every one of the 17 tracks on it is strong and makes me excited for his next album.

SN1’s Gunna Dee also tells us why he likes ‘Bad Girls’ on the first video from his ‘Happy Hustler’s Day’ mixtape. The track features Angel who gives us a catchy hook.

There was said to be an interesting mixture of people in the studio last week as ShystieScorcherExo and Red Skull Beats joined Vince Kidd for what I believe will be a remix of one of his tracks – as usual, keep your ears and eyes peeled ‘til next time!

August 15, 2012

MTV Wrap Up – The UK Rap Rundown [News]

To kick this week’s Rap Rundown off, lets talk gossip. Professor Green went on a bit of a Twitter rant last week, lashing out at his label, writing: “Why would your own record label hinder you? Answers on a postcard.” He then went on to say “Dignified silence is pointless. A rushed second single, the ‘Remedy’ video a month late and now similar problems with the ‘Avalon’ video unfold…”

Answering some people’s tweets, he added: “Just to reiterate something for the stupid, my problem isn’t that they take that money, it’s that there are people not working for it.” Obviously he was frustrated, but he did point out that “there are a lot of people who are amazing at their jobs @ EMI.” I think Pro G was just about to quit smoking and was rather stressed at the time, so maybe his label won’t take it to heart!

London has been buzzing with energy and major events since the Olympics began. On Saturday I went down to Puma Yard in Brick Lane to catch one of my favourite bands, Clement Marfo + The Frontline. They wowed the crowd yet again, bursting with energy and getting us all moshing. Professor Green headlined the gig; but we got a surprise as Usain Bolt turned up to DJ with Manny Norte. I also attended the RWD x Adidas party, which was at a secret location in Shoreditch. Performances there came from Wretch 32ScorcherBashy and more…

The USG team have kept the tracks coming strong, with Squingy releasing a track featuring Preecha entitled ‘Everyday’. Their youngest member Geko also released a net video for the track ‘Life Ain’t Easy’. It’s safe to say that the team are definitely putting in the work.

 With the Olympics closing ceremony taking place and the Paralympics due to start, Calibar showed some love for his hometown, giving us ‘It’s A London Thing’ featuring Splurgeboys. We also saw an SB.TV Warm Up Session from him over the ‘Stay Schemin’ beat, where he spat: “Excuse me for being late on this beat, I’ve been away for half a year, meeting after meeting just planning my career.”Squeeks talked about the developments in his music career when he dropped the visuals to ‘Changes’. Political Peak had a similar theme in mind as he talked progress and perseverance on his new track ‘Tables Turned’, which is the first track from his forthcoming mixtape ‘Dreams 2 Reality’ which will be available on September 1.The rapper everyone has been talking about, J Spades, has been in the studio with Tinchy Stryder and they have already shot the video to their new track titled ‘Lead Role’ – make sure you watch out for that one coming soon!

July 31, 2012

MTV Wrap Up – The UK Rap Rundown

The Olympics is what everyone was talking about last week, with the opening ceremony on Friday being rather explosive and extravagant. We saw familiar faces such as Mr BeanJames Bond and the ‘Queen’ jumping out of a helicopter…

Dizzee Rascal was given the honour of recording the official Olympic Song of the London 2012 Olympic Games. At the ceremony, he performed the track ‘Scream’ which features the first lady of Dirtee Stank, Pepper along with ‘Bonkers’. Wretch 32 opened the Olympic Torch Relay Finale in London’s Hyde Park. This was a great moment for the urban music industry, showing the popularity and strength it has.

Margate rapper Mic Righteous previously released a diss track to Tim Westwood called ‘Sack City’ which has now been taken off YouTube after the ‘Big Dawg’ put in a complaint about it. Mic tweeted a picture of the video, which has a message on it stating, “This video is no longer available due to a copyright claim by Tim Westwood.” Considering the track came out over a month ago in June, it has taken quite a while and everybody has probably heard it by now anyway…

Hip-hop collective Caxton Press have been hard at work releasing video after video. Last week the visuals to ‘Touch The Sun’ came out, which is the eighth video from their ‘Shame The Devil’ album.

Sho Shallow showed us another side to him as he took a more laid back and melodic approach for new track ‘Weed In My Lungs,’ a refix of Kirko Bangz’s ‘Drank In My Cup’ – which has also previously seen remixes from J. Cole and 2 Chainz.

Manchester’s Lyrican put out the first joint US and UK hosted mixtape ‘The Problem Child’ with Charlie Sloth and DJ Drama. The 15 track project includes the internet hit ‘Simon Cowell’. He is becoming one of rap’s most promising figures and the mixtape proves why with his intelligent wordplay and strong delivery.

There are two freestyles that have caught my eye this week; the first one goes to USG’s youngest member 15-year-old Geko, who brought heat to Charlie Sloth’s Fire In The Booth. He tells us a few stories through the first track and then gets into an emotional freestyle.

With the re-launch of the Grime Daily website and the name change to GRM Daily, rapper DVS was the first artist after the re-launch to put out a Daily Duppy. He slows it down with some deep bars for the first half before switching it up over the ‘Rack City’ beat – check it out!

July 28, 2012

MTV Wrap Up Interview: Roll Deep [Interview]

The legendary Roll Deep Crew are back with a bang with the new mixtape ‘No Comment Star’, which hears them take their sound back to grime. The mixtape features the likes of Jammer and Opium and production from G Tank, Swifta Beater and more in the lead up to their album ‘10’. The Wrap Up’s Shireen Fenner was joined by some of the group’s members to talk early days, evolution, and fans…

The Wrap Up: For those who don’t know about Roll Deep, can you tell us how you formed?

Roll Deep: Roll Deep was a collective of friends and family that have grown up in the same area, just a family thing. Music wasn’t always the profession; we were just street people. In around 2000, Roll Deep was at the forefront of the grime scene and as we had Wiley in the group – obviously that helped! Later on, we got a record deal and got some commercial success with tunes like ‘Shake A Leg’. We had two no.1’s in 2010. Today is about the ‘No Comment Star’ mixtape – a couple members have grown up and other members have left, but it’s still the core.

TWU: There are currently nine members in Roll Deep. How do you decide who should be on what track?

Roll Deep: We don’t, it just happens naturally. It’s just whoever comes the strongest; the strongest survive basically. Sometimes not everyone likes the same song. Tania’s not on the mixtape because of the style of music, so it all depends on what’s needed when.

TWU: Members of the crew have changed and left in the 10 years you have been around. Has this affected the group and has it made it stronger?

Roll Deep: We’ve gone grey and wrinkly [laughs]. We are stronger, because we’re growing and learning every day. The core is still there, that’s never changed – Roll Deep is Roll Deep. Whoever comes and goes, the name is still Roll Deep and that’s what we’re representing.

TWU: I assume you’re all good friends. What do you do when you’re not in the studio recording in your free time together?

Roll Deep: Sex. McDonalds. Paintballing. We don’t do anything abnormal to the regular person that doesn’t make music. I can go to the shop on my own; I don’t need the whole crew holding my hand. We live regular lives outside of music.

TWU: How do you make sure you stay relevant with the ever-evolving underground dance scene?

Roll Deep: We stay in the loop. We are making all types of music as well. Regarding the underground scene, it’s not something we try to be a part of, we didn’t try to make a grime scene, we didn’t try to do new music, it’s just who we are and we just know how to express it. If we stay original with what we do, we are always going to be relevant.

TWU: How would you define Roll Deep and your sound now as you have grown over the years?

Roll Deep: I don’t think we have a particular sound because we do so many different types of music. At the end of the day we are artists who enjoy making music. People say ‘When I’m Ere’ wasn’t our sound, but we’ve got different styles. From then till now it’s just progressed, we’ve branched out and done more things from when we were just grime – now were versatile.

TWU: How do you feel when your fans say ‘this tune isn’t Roll Deep?’

Roll Deep: You’re not Roll Deep either! People that say them things don’t understand the music industry. People are like ‘grime grime grime,’ but they don’t buy the tune when we bring it out. We are going to make sure we push our CD ‘No Comment Star’ and that’s got some songs on there that will shut some people up and answer a lot of questions that people have been asking like, ‘Can they do grime still? Are they still good?’

TWU: Recently in an interview Nas said ‘we don’t chase pop, pop chases us.’ How do you feel about this statement and do you agree?

Roll Deep: Yeah we didn’t choose music; music chose us [all laugh]. That statement is a good statement though, I never looked at it like that. When I check it, it does look like that. We were Roll Deep, doing our thing on the underground, a major label came to us and saw that and said ‘we want to bring that to another level.’ We weren’t chasing a deal, it came to us.

TWU: What is the funniest or weirdest thing a fan has ever done or said to you?

Roll Deep: Some have got tattoos of our lyrics; people bring gifts to the building and just wait for us to turn up. Last year when we were on tour, people brought us collages of our albums that they made and cookies and stuff. I don’t eat anything that’s given to me, but we are just polite and say thank you. It’s cool; they’re just showing appreciation at the end of the day. Obviously you’re touching their lives in some way, but I’m not touching their food!

TWU: You’ve been doing press all day now, what’s the best question you’ve been asked and what is the most annoying question?

Roll Deep: ‘Where’s Wiley? Who is in Roll Deep?’ We don’t know the answer to either of them questions. The best question today has been ‘foreplay or f**k’? I just said no comment star…

TWU: Speaking of ‘No Comment Star’, the mixtape goes back to your grime roots. Why did you make this decision?

Roll Deep: Roll Deep are a collective of versatile artists who do different things, who just make music generally and appreciate all types of music. We always engage in that. People act like this is our first grime mixtape, but it’s not the case. We are always in a position where we can’t win, so we don’t try to impress anyone, we just do what we do. You can never please everyone.

TWU: What can we expect on the album?

Roll Deep: It’s called ‘10’, obviously to celebrate 10 years of Roll Deep – it’s got a range of stuff. It is a mash up of everything, but at a higher quality than a mixtape. We have got grimier ones that are high quality and better mix downs. Agent X is on there, so is S-X, Swindle, Wide Boys… there’s a range of people and music on there. We’re still waiting for the date, but it will be out this year.

‘No Comment Star’ is available to download now.

July 24, 2012

MTV Wrap Up – The UK Rap Rundown

I’m back to give you what’s hot in the world of UK rap for the week. I went down to the premiere of Ice-T’s docufilm Something to Nothing: The Art of Rap and also to K. Koke’s video shoot for his track, ‘The Only One’. There have been some hot releases out this week too…

Tracks that caught my eye this week went to USG’s boss man Squingy, who released the visuals to his track ‘Find A Way‘. The production of the mini movie showed that Squingy is an artist in more ways than one.

Lady Leshurr and Paigey Cakey released a net video ‘Dam City’. As always with Leshurr, her energy was on point – you can always see her passion for what she does in every video. PDC’s Jaja Soze was joined by Diamond to rework the classic Warren G and Nate Dogg track ‘Regulate’, for ‘What If’, stimulating and empowering minds.

The official theme song to the Offenders film was also released courtesy of English Frank and featured Anamate. The film will be released in the cinema on August 8 and stars English FrankG FrSH and Scorcher – it is definitely worth a watch.

Thursday saw the European premiere of Something From Nothing: The Art of Rap at the Hammersmith Apollo. I spotted many UK rappers there such as Sway, Wretch 32 and Jehst. The film itself took us back to the roots of how elements like battling started and talked business and the technicalities of rap. It was light-hearted throughout and very entertaining, with cheers erupting everytime a hip-hop legend graced the screen.

 

I went down to K. Koke’s warm up video shoot for ‘The Only One’ on Saturday in Hackney. Turning up at 3pm there were so many people there, showcasing the respect and love there is for Koke – artists such as Margs and J Spades were also present. The video itself included some very nice cars, motorbikes and of course lots of women!

I spoke to K. Koke briefly about the shoot and he said: “today is my video, it was in the hood, out of the hood, we brought the hood to another hood. This is going to come out before my first single.” Keep your eyes peeled for that one! Until next time…

July 9, 2012

MTV Wrap Up – THE UK RAP RUNDOWN

This is my first UK Rap Rundown column; here I will be bringing you the week’s highlights in the UK urban scene – I hope you enjoy it! I haven’t even been back from the BET Awards in L.A a week yet and have already attended a festival – Hyde Park’s Wireless. I was pleased to see underground rappers Political PeakSho Shallow and Ard Adz get a packed out tent and an amazing crowd reaction – it proved how well UK rap is doing…

Of course, Sneakbo smashed his set too. Sway did an old school hip-hop style set, with verses from Wu TangTupac and Mobb DeepRoc Nation signee USG member K Koke also performed on the Sunday supported by his fellow crew members.

In other news, Scorcher has replied to Dappy’s ‘Tarzan 2’ diss which hears him say: “I still roll for my hood and I wear my chain, f**k a Top Boy Scorcher he can’t do the same. Real recognise real, how many albums have you sold to date?”

Scorcher wasn’t too happy with Dappy and replied via an SB.TV video called ‘Rockstar’. The MC dropped punchline after punchline, saying that he is an “underground king, you could never be my equal” and “you could have a mill still look like a tramp.” He also mentions Tulisa and the now infamous tape that her ex-boyfriend leaked to the world.

Personally I liked Dappy’s ‘Tarzan 2’ video; unfortunately he had to re-shoot and re-release the video due to the heavy controversy it received. Props to Scorcher; he went in on the diss track and I feel he is the better man in this situation.

The video that caught my attention last week came from Donae’o. I was at the video shoot for the track ‘YDKAM’ and know there’s going to be a lot more to come from the ‘Party Hard’ singer on his album. He told me: “It’s going to have a lot more hip-hop and R&B, there’s a want for it, so I can put it out.”

The song ‘You Don’t Know About Me’ features some of UK rap’s hardest lyricists, such as Joe BlackSqueeksDru BluRatlin and Lethal B.

Another interesting one was the Labrinth produced ‘Watchtower’ by Devlin featuring Ed Sheeran. It is the first single from his forthcoming album ‘A Moving Picture’.

Leicester based R&B singer Luke Bingham was also recently joined by Play Dirty’s Krept & Konan for the track ‘Shut It Down’. I really like the beat to this track and Krept & Konan really give the song that hip-hop edge it needed. I predict big things for Mr Bingham; he has the voice, the style and looks to match.

July 9, 2012

LIVE REVIEW: WIRELESS FESTIVAL – LONDON (7-8 JULY 2012)

This weekend was the one everyone was waiting for… Wireless Festival! On Saturday, I caught a few tracks from the beautiful Rita Ora, which included ‘How We Do (Party)’, ‘Hot Right Now’, and ‘RIP’. She looked every inch the Roc Nation princess in camouflage combat trousers, black crop top and black beanie hat…

I had to run to see the amazing UK act Clement Marfo + The Frontline, who sent everybody absolutely mental as one of the first acts on at the Pepsi Max Stage. Frontman rapper Clement and singer Kojo exuberated energy, gaining lots of new fans.

Tulisa was up next on the main stage after Rita, opening with N Dubz songs. She showed her ex what he was missing by wearing a black low cut bra style top, with her midriff bare and a high waisted, short black star print skirt. She then dedicated ‘Titanium’ to her ex, saying “this is to my d***head ex-boyfriend, Justin f****** Edwards!” She also performed a track from her new forthcoming album called ‘Leave Me Alone’.

I then ventured to Barclay’s Unwind Stage to catch Sneakbo, where I saw Political PeakSho Shallow and Ard Adz performing. Sneakbo then came out and the crowd went even wilder. He performed ‘Yo Sexy’, ‘Call Me A Naija’, as well as doing covers of ‘Imma Boss’, and ‘Oliver Twist’. Of course he then ended with ‘Show Me The Wave’, and recent release ‘Sing For Tomorrow’.

UK hip-hop’s savior Sway was next up on the Barclays Unwind Stage; again you could tell there were hardcore fans in the audience as he performed ‘Up Your Speed’. ‘Still Speeding’ was definitely a crowd pleaser and his latest single ‘Level Up’ left the crowd unable to control their high.

I then went to see Taylor Gang general Wiz Khalifa who looked very indie in a bowler hat, long t-shirt, black skinny jeans and denim jacket, performing his well-known tracks ‘Roll Up,’ ‘Work Hard, Play Hard’ and closing on ‘Black & Yellow’.

Fans gathered early to see The Weeknd. From the ‘House Of Balloons’ mixtape he sang ‘The Morning’, ‘The Party & The After Party’ and ‘Wicked Games’.  He also played tracks from the infamous ‘Thursday’ mixtape, which the crowd enjoyed the most. His solo performance for me was the best of the night; his vocals were 100% and you could hear every word of his stunning voice.

Next up was Ms Nicki Minaj. She got carted to the stage kicking off her set with ‘Roman’s Revenge’, ‘Did It On Em’, and ‘Beez In The Trap’. When ‘Moment For Life’, and ‘Starships’ came on, everyone was singing along. Near the end she did a dancehall inspired set, singing and dancing to songs like ‘Who Am I’ by Beenie Man and Tony Matterhorn’s ‘Dutty Wine’, where she showed everyone how it was done by wining on stage. ‘Superbass’ and ‘Monster’ were the closing tracks for the first lady of YMCMB.

Despite the rain, it was then time to see the artist everyone was waiting for – Drake. Coming on looking every inch the superstar, he was dressed all in black with touches of gold. He opened with ‘Underground Kings’, and ‘Lord Knows’ before quickly moving onto ‘I’m On One’ and ‘Over’.

He then said: “London is like my second home, I don’t give a f**k about the rain tonight.” The Weeknd came out to join him on ‘Crew Love’ and ‘The Zone’. Drake almost brought tears to The Weeknd’s eyes when he put his arm around him and told him, “I remember when I met you in Toronto, I knew you were going to be the greatest musician alive.”

Nicki also came back on stage for ‘Proud Of You’. The crowd joined in with Drake for ‘Take Care’, filling in for the missing Rihanna. He made the females falling for him judging by their love struck eyes! Despite the bad sound quality from the main stage, Drake put on a brilliant performance and proved why he was the headliner for Saturday and no one else.

Sunday’s Wireless saw Hyde Park become a lethal mudbath. The day was an eventful one, with the ‘King Of Hearts’ Lloyd taking to the stage to wow the ladies in the afternoon. UK soulstress Cleo Sol also represented in the afternoon, performing her new smash ‘Never The Right Time’. Other memorable acts included rapper K-Koke, StooSheLabrinthFlux PavilionRizzle KicksJessie J and J Cole.

Rihanna headlined Sunday’s event, which unfortunately was impacted by the poor sound quality, as it was for Drake’s set. Kicking off her set late, the star demonstrated her love for Egypt with an Arabian themed stage. The singer performed tracks like ‘Hard’ ‘Live Your Life’ ‘What’s My Name’ ‘Where Have You Been’ ‘S&M’ and finished off with ‘Umbrella’, at which time it was actually raining.

The 24-year-old’s headlining set was finished off with fireworks and bouncy balls being thrown into the crowd, before she told her adoring crowd: “Thanks for staying to watch me in the rain… Only in London would you guys stay to watch this show.”

 

 

July 2, 2012

MTV Wrap Up – LIVE REVIEW: BET AWARDS – L.A (JULY 1, 2012)

The stars and power couples were out in full force at the BET Awards 2012. As I hit the red carpet on a hot day in L.A, I found myself next to hip-hop websites World Star Hip Hop, This is 50 and others. Opening the show dressed in an all-white suit, Kanye West came on stage with some of his G.O.O.D Music crew including, 2 Chainz and Pusha T…

Big Sean also joined Kanye on stage for their track ‘Mercy’ which saw Kim Kardashian give a standing ovation, dressed in a white dress to match her rapper boyfriend.

Host Samuel L Jackson gave us laughs throughout the night doing skits with various people – Spike Lee also joined him to do a reenactment of ‘N***as In Paris’, making everyone laugh. Most of the celebrities I spoke to on the red carpet were excited to see Samuel L Jackson host the awards; whoever hosts next year will have a lot of live up to.

Nicki Minaj’s performance was pretty toned down as she came on stage dressed in a nice black outfit, which was not flamboyant as I would have expected. Nicki performed ‘Beez In The Trap.’

D’Angelo later came on stage performing ‘How Does It Feel’, moving on to play the piano for the next track. He was looking very much like a rockstar and was rocking out on stage like one too.

Mike Epps and Mindless Behaviour gave out the award for Best Female R&B Artist which saw Mike Epps teasing the young boyband about their age before Beyoncé was announced the winner. The stunning mama dedicated it to Whitney Houston, who she described as ‘my angel’ whilst also shouting out Lauryn Hill and Mary J Blige.

Kevin Hart introduced the mighty Maybach Music onto the stage before popping a few jokes about Jay-Z and Talib Kweli. Wale was first out as he hopped out of a car on stage and was joined by Rick Ross for ‘Bag Of Money’. Meek Mill and French Montana also joined them as they tore down the stage.

Nicki Minaj aimed to shock as Busta Rhymes presented her with her award for Best Female Hip-Hop artist – she thanks her Barbz and the BET Awards before telling haters (presumably) to “suck a d*** b****!”

Chris Brown’s performance was a very highly anticipated one for the night; given the release of his recent diss track. He came on the stage to perform ‘Don’t Wake Me Up’ and ‘Turn Up The Music’ topless with half of his body painted in silver. The stage set-up also came complete with ballerinas dancing in masks!

Tyrese and Ginuwine came backstage, discussing ‘real R&B music’ and chatting about how ‘it’s not house or techno’; they added that this is why ‘they are bringing it back’. Spectators saw this as a dig at Breezy, who picked up the Best Male R&B artist award.

Mariah Carey came out to open the Whitney Houston tribute and said ‘the last time I saw her we were in London. I miss my friend, I miss hearing her voice, and laughter,’ at which point she started to cry. The star managed to compose herself to finish her speech. We also saw Brandy sing ‘I Wanna Dance With Somebody.

YMCMB’s Tyga came out to perform ‘Rack City’ and Nicki Minaj was standing up dancing to her friend’s track to show her support.

Whilst Chris was at the show with YMCMB members Nicki and Tyga, Drake was absent. A source told Hollywood Life: “Everytime MC Lyte mentions that p***y Drake’s name, this whole f**king place is filled with boos. The boos came from people backstage, including Chris’s entourage and also from lots of people in the audience.”

We also saw the cutest couple in the world Jay-Z and Beyoncé play fighting, much to the amusement of the audience, when Jay won the award for Best Video Of The Year with ‘Otis’ – an award that the Queen B was also nominated for.

Big winners of the night were Jay-Z and Kanye who, of course, won Best Video and Best Group. Nicki Minaj won Best Female Hip Hop Artist whilst her buddy Drake won Best Male Hip-Hop Artist. Beyoncé won two awards, one for directing a video and one for Best Female R&B Artist. Wretch 32 repped for the UK, winning the Best International Act award for us.